The Concept of Dust, or How do you look when there's nothing left to move? An ongoing work-in-progress interweaves formal dance
The East Coast premiere of Yvonne Rainer's The Concept of Dust, or How do you look when there's nothing left to move?. This ongoing work-in-progress interweaves formal dance with personal themes of aging and mortality, humor, and diverse texts-intermittently read by Rainer and the dancers-dealing with ancient Mideast dynasties, paleontological findings, and literary quotations. Language-here running parallel to the music (Gavin Bryars's "The Sinking of the Titanic") and dance movements, at times interrupting the latter-continues to be an important coordinate in Rainer's work. All three elements-language, music, and movement-combine to create a somewhat melancholy ambiance. The performers in The Concept of Dust have been given the freedom to initiate and/or abort the movement phrases as they wish, making spontaneous decisions throughout the 45-minute duration of the piece. Originally commissioned by the J. Paul Getty Museum, Getty Research Institute, and Performa, the MoMA performance will incorporate a yet-to-be-revealed work from the Museum's collection that has fascinated Rainer since her arrival in New York in 1956. The June 13 performance is followed by a conversation between Rainer; writer Lynne Tillman; Douglas Crimp, University of Rochester; and Ana Janevski, Associate Curator, Department of Media and Performance Art, MoMA. Organized by Ana Janevski, Associate Curator, with Giampaolo Bianconi, Curatorial Assistant, Department of Media and Performance Art, The Museum of Modern Art.