Circa. The exhibition pairs two of the artist's iconic photographic series: Palm Beach Views and Unearthing. For this occasion, Burr will also recreate his second "earthwork" Circa '77, and a new works consisting of plates of steel, varying in size and shape.
Bortolami Gallery is pleased to announce Circa, an exhibition of Tom Burr presenting
both works from the 1990s and new works.
Tom Burr’s work interrogates intimacy and what lies at the intersection of public
and private. The exhibition will pair two of the artist’s iconic photographic
series. Palm Beach Views defines private properties in terms of non-public spaces
while Unearthing the public restrooms explores liminal spaces where desire could be
satisfied, although clandestinely. Driven by an archeological interest, Tom Burr
archived public restrooms in playgrounds and parks as a testament to the
disappearance of cruising grounds, in the process of being closed by the city.
For this exhibition, Burr will also recreate his second “earthwork” Circa ’77.
Installed initially at the Kunsthalle Zürich in 1995, this piece recreates to scale
a section of the Platzspitz, a riverside park flanking the Swiss National Museum in
Zürich, as it might have looked circa 1977. During that period the park was
unpopular with the general public, its dim lighting and dense vegetation limiting
visibility and creating areas of isolation. Gay men actively invested in the park,
modifying its topography to create new zones for meeting. This is the period that
just preceded the Platzspitz’s infamous use as a needle park in the 1980s, which
later prompted the massive clean up of the area in the mid 1990s. It is this clean
up of the park that prompted Burr’s work.
On view in a corner of the gallery will be two wooden partitions from the exhibition
42nd St Structures, which took place at American Fine Arts in 1995. Echoing the
compartmentalized privacy of the extinct peep shows and forgotten porno bookstores
of Times Square, these will respond to a previously unexhibited ensemble of Polaroid
images capturing the facades of 42nd Street in the early ‘90s and recording their
programmed dismantlement.
In the second room, the artist will present Grips, a new body of work consisting of
plates of steel, varying in size and shape. Some of these plates are secured onto
the surface of others, while some feature printed information, and enact a play
between raw and finished surfaces. All will repose on a ledge installed a foot off
the ground, with the plates framing, overlapping and reflecting one another. Their
levitation annuls the threat their weight poses. The distribution of the plates in
the space redefines the structural lines of the room while their familiar scale
evokes both bodily and architectural form. Through their form and imagery, the works
in Grips explore this specific material, the body, the artist and audience, and the
various manifestations of being held tightly in place.
A brochure will be published in conjuction with the exhibition featuring a critical
text by Alex Kitnick.
Tom Burr (b. 1963 in New Haven, Connecticut) lives and works in New York. He has
shown extensively throughout Europe and the United States. Current projects include
to expose, to show, to demonstrate, to inform, to offer, a group exhibition at MuMOK
in Vienna, Austria. His most recent exhibitions include a major large-scale site
specific work commissioned on the occasion Köln Skulptur #8 in Köln, Germany and a
public installation for Lustwarande ’15 in Tilburg, Netherlands. Concurrently to
this exhibition, an anthology of the artist’s writings will be published by
Sternberg Press in collaboration with the Frac Champagne-Ardenne, France. Burr
attended the Whitney Independent Study Program and the School of Visual Arts in New
York.
For more information and images, please contact Clément Delépine at +1-212-727-2050
or clement@bortolamigallery.com
Bortolami Gallery
520 W 20th Street New York, NY 10011 b/w 10th and 11th Avenues
Hours:
Tuesday – Saturday 10am – 6pm and by appointment