Frederick R. Weisman Museum of Art
Drawings, 1992-1998 in the Whitney Museum of American Art. This exhibition of over 75 drawings follows the career of one of the most successful sculptors and influential Pop artists of the twentieth century. It surveys his life as an artist, beginning with his first Pop Art works in the 1960s, followed by his marriage and artistic collaboration with Coosje van Bruggen in the late 1970s, and ending with their recent public projects in the late 1990s.
DRAWINGS, 1992-1998 IN THE WHITNEY MUSEUM OF AMERICAN ART
'I make my work out of my everyday experiences, which I find as perplexing
and extraordinary as can be.'
--Claes Oldenburg, 1960
The Frederick R. Weisman Museum of Art at Pepperdine University is proud to
present Claes Oldenburg: Drawings, 1959-1977, Claes Oldenburg with Coosje
van Bruggen: Drawings, 1992-1998, in the Whitney Museum of American Art from
May 22 through August
8, 2004.
This exhibition of over 75 drawings follows the career of one of the most
successful sculptors and influential Pop artists of the twentieth century.
It surveys his life as an artist, beginning with his first Pop Art works in
the 1960s, followed by his marriage and artistic collaboration with Coosje
van Bruggen in the late 1970s, and ending with their recent public projects
in the late 1990s.
Oldenburg gained international fame for his Pop Art sculptures that
transform common objects into whimsical constructions, using surprising and
unexpected materials. His drawings reveal the creative process behind his
public pieces. Oldenburg uses drawing to capture ideas and to plan fantastic
projects, many of which are too large and complicated to be built. A
consummate draftsman, he employs a startling variety of materials--pencil,
ink, crayon, watercolor, pastel--to produce engaging images of ordinary
things seen in extraordinary ways.
Many of these works on paper are designs for the artist¹s two best-known
series: soft sculptures and monumental projects. Like other artists of the
Pop Art movement, he was fascinated by the banal products of our consumer
culture. He was particularly intrigued by everyday things with close human
associations, such as bathtubs, typewriters, light switches, and electric
fans. By recreating them in soft, pliant vinyl or as gigantic, imposing
structures, he gave these objects a new dimension, often with alarming or
humorous overtones. His drawings reveal these sculptures as he originally
imagined them, as seen in a monumental teddy bear towering over New York¹s
Central Park.
Claes Oldenburg was born on January 28, 1929, in Stockholm, Sweden, but
spent most of his childhood in the United States. After studies at Yale
University and the Art Institute of Chicago, he moved to New York City in
1956. He established his reputation in the early 1960s with a series of
installations and performances influenced by his surroundings on the Lower
East Side.
Oldenburg's early interest in creating whole environments such as The Street
(1960), The Store (1961), and Bedroom Ensemble (1963) soon evolved into a
concentration on single sculptures. Using ordinary, everyday objects as his
form of expression, he went on to develop soft sculpture and fantastic
proposals for civic monuments. In 1969 he created his first monumental work,
Lipstick (Ascending) on Caterpillar Tracks, which became a controversial
focus for student protest when it was installed at Yale University. Other
landmark public projects include a 45-feet-high Clothespin installed in
downtown Philadelphia in 1976.
Since 1976 he has worked in partnership with artist and art historian Coosje
van Bruggen. Together they have executed over 40 large-scale projects, which
have been inserted into various urban surroundings in Europe, Asia, and the
United States. One of their most recent works is the 144-feet-long,
64-feet-high Cupid's Span for Rincon Park on the Embarcadero in San
Francisco.
This collection of Oldenburg's works on paper was assembled when the Whitney
Museum began quietly acquiring the artist's drawings in the late 1990s.
Today its holdings constitute the largest single collection of Oldenburg's
drawings in the world. The Whitney held an exhibition of the entire group in
New York in 2002, and the presentation at Pepperdine is the first time this
important collection has been seen on the West Coast.
Oldenburg has had long-standing relationships with artists, architects and
collectors in Los Angeles. Frederick R. Weisman, founder of the Weisman
Museum at Pepperdine, commissioned the artist in 1988 to create a major
outdoor work, Spoonbridge and Cherry, in Weisman¹s home town of Minneapolis
as a tribute to his parents. Oldenburg and van Bruggen worked with architect
Frank Gehry on the Main Street Project (1975-84) in Venice, CA, and Camp
Good Times (1984-85) in the Santa Monica Mountains. In 1986 he created Knife
Slicing Through Wall at the Margo Leavin Gallery in West Hollywood. In 1991
they designed a binocular-shaped sculpture as part of Gehry's Chiat/Day
Building in Venice. The Museum of Contemporary Art in Los Angeles hosted a
traveling Oldenburg retrospective, organized by the Guggenheim Museum, in
1996.
The exhibition will be open from 11:00 A.M. to 5:00 P.M., Tuesdays through
Sundays. The public is invited to attend the opening reception on Saturday,
May 22, from 6:00 to 8:00 P.M. There is no admission charge.
This exhibition is accompanied by a fully illustrated exhibition catalog.
This 224-page book features an introduction by Janie C. Lee and an interview
with the artist, as well as 99 illustrations, with 92 in color.
This exhibition was organized by the Whitney Museum of American Art, New
York. This project is funded by the Institute of Museum and Library Services
by an Act of Congress. The presentation in Los Angeles is generously
sponsored by the Frederick R. Weisman Art Foundation.
Works will be on view in the Gregg G. Juarez Gallery, Ron WilsonÂDesigner
Gallery, and West Gallery, in the Frederick R. Weisman Museum of Art.
Reception: Saturday, May 22, 6:00 to 8:00 P.M.
Family Art Day: Saturday, June 5, 10:00 A.M. to 1:00 P.M.
Hours: Tuesday through Sunday, 11:00 A.M. to 5:00 P.M.; Closed Mondays
Image: (l.) Claes Oldenburg and Coosje van Bruggen, 'Blueberry Pie a la Mode,
Sliding Down a Hill', 1996, Charcoal and pastel on paper, 39-1/2 x 30-1/8
in.
Whitney Museum of American Art, New York; gift of The American Contemporary
Art Foundation, Inc., Leonard A. Lauder, President #2002.65.
(r.) Claes Oldenburg and Coosje van Bruggen, 'Dream Pin', 1998, Graphite,
colored pencil and pastel on paper, Sheet: 40 x 30 3/16 in.,
Whitney Museum of American Art, New York; gift of Claes Oldenburg and Coosje
van Bruggen #2001.209.
Both photographs by Sheldan C. Collins
Frederick R. Weisman Museum of Art
Pepperdine University
24255 Pacific Coast Highway, Malibu, CA 90263
No admission fee
(310) 506-4851 General information
(310) 506-7257 Museum staff