Hoppy captured the mood of the fast-changing Sixties and photographed The Stones and The Beatles on their first wave of stardom and in their prime, and through his greatest passion, jazz, captured his atmospheric images of Duke Ellington, Dexter Gordon, Thelonious Monk & Louis Armstrong. These portraits evoke the personalities of his subjects through the spontaneous and unpretentious way in which he worked.
an exhibition of photographs by John 'Hoppy' Hopkins
Hoppy graduated from Cambridge University in 1958 with a Master's degree in
Physics and embarked upon a short career as a nuclear physicist. However, a
graduation present of a camera was to change his career route significantly.
He arrived in London in 1960 and began to work for The Sunday Times, The
Observer, Melody Maker, Jazz Journal and Peace News. 'The Melody Maker
because I was into jazz, Peace News because... well, one does.'
Hoppy captured the mood of the fast-changing Sixties and photographed The
Stones and The Beatles on their first wave of stardom and in their prime,
and through his greatest passion, jazz, captured his atmospheric images of
Duke Ellington, Dexter Gordon, Thelonious Monk & Louis Armstrong. These
portraits evoke the personalities of his subjects through the spontaneous
and unpretentious way in which he worked.
Through Melody Maker Hoppy worked with the biggest groups of the day
'...they were having difficulty getting good pictures of The Rolling Stones
because the group was so unreliable and they asked me to help,² he says.
'We booked a studio for 11am and after five minutes I realised it wasn't
going to work. They were all asleep and they were literally holding Keith
up. So, we went off to a cafe for breakfast and that's where I got the shot
of Mick and Keith looking all soft and vulnerable waiting for a cup of tea.
They liked it and said that I was the only person ever to have photographed
them before lunch.'
Both groups were moving swiftly away from mainstream pop, experimenting with
drugs and getting interested in avant-garde art, poetry and Eastern
mysticism and Hoppy was there as an informal pilot. 'When I look at these
old pictures.......I just think how young everybody looks.'
In Stark contrast Hoppy recorded the seediness of Notting Hill, with
photographs of grubby tattoo parlours, bikers cafes and prostitutes in their
small bed sits. He worked as a photojournalist for a comparatively short
period and by 1965 he began to drift into the London psychedelic scene and
during this time he recorded and was even responsible for many of the
diverse events that embodied Sixties counterculture.
Documenting peace marches, poetry readings with a naked Allen Ginsberg, and
photographing twentieth century icons such as Martin Luther King and Malcolm
X in London.
During the mid 1960s Hoppy founded Britain's first underground newspaper the
International Times, which was funded by a generous donation from Paul
McCartney. Which at its height had a circulation of 40,000. He also
co-established a publishing company, promoted Pink Floyd and set up London's
first all-night psychedelic club, the UFO, where Hendrix would call in and
jam.
Then on the day Sergeant Pepper was released Hoppy was arrested and spent
much of 1967s Summer of Love in prison, serving a ludicrously vindictive
sentence for the possession of marijuana. As a protest to his arrest an
advertisement appeared in The Times, organised by the Cannabis Law Reform
and paid for by The Beatles.
'I served six months in the Scrubs. Mick and Keith were also there after
their drug bust. I said hello, but they were only there for two or three
days. They had friends in all the right places!'
As the Sixties drew to a close Hoppy turned towards video and was regularly
sponsored by members of both The Stones and The Beatles. Documenting
underground subjects as diverse as American political fugitives in Algiers;
to using John Lennon's portable video equipment in the late 60s to record a
free Stones concert in London, held shortly after the death of Brian Jones.
Hoppy received video equipment from Lennon, Harrison and Star. 'Ringo kept
his (video equipment) under the stairs, Lennon under the bed with his MBE
(Member of the British Empire medal from The Queen).'
By the closing years of the 1960s Hoppy had become a pivotal, even
legendary, figure in the London underground scene. For Hoppy the Sixties
offered '....just a great opportunity to take pictures of people I loved for
free.'
Curated by Addie Vassie
For further information & images please contact hug:
+31 (0)20 489 40 42
Opening times: Tuesday to Saturday 11am  6pm, Mondays by appointment only &
the first Sunday of the month 2pm  6pm
hug - Gallery for International Photography
Eerste Tuindwarsstraat 16, 1015RV, Amsterdam