Suzanne Augugliaro - Williams College Museum of Art
The Late Work of Hendrik Nicolaas Werkman. An exhibition of rare, hand-printed books, pamphlets, and broadsides created by a little-known, modern Dutch master. This exhibition includes 24 examples of his work primarily from the early 1940s.
The Late Work of Hendrik Nicolaas Werkman
an exhibition of rare, hand-printed books, pamphlets, and broadsides created by a little-known,
modern Dutch master. This exhibition, including 24 examples of his work
primarily from the early 1940s, opens on October 9, 2004 and will be on view
until January 2, 2005.
The exhibition focuses on the work that Werkman (1888-1945) created during
the German occupation of the Netherlands. Werkman, in collaboration with the
Dutch Reformed Church minister F.R.A. Henkels and others in Groningen,
founded a literary and spiritual collective called De Blauwe Schuit (The
Blue Barge). On behalf of this group, Werkman created beautifully printed
works featuring poetry, short religious texts, hymns, and other writings.
Werkman's idiosyncratic technique, coupled with the tragic destruction of
his work by the Nazis, has made his place in graphic design history
difficult to assess. Trained as a commercial printer, and the owner of a
printing firm, Werkman took up the practice of using his letterpress for
creative expression in the 1920s. The technique he pioneered involved the
use of stencils and ink rollers in conjunction with a hand operated
letterpress. By merging the two traditionally separate roles of designer and
printer he could improvise as he worked‹designing as he printed. Despite the
small editions he created, often as few as 20, the works were never
identical due to the variations inherent in his technique. He described his
approach to printing, based on the tension between structure and freedom, as
'Hot Printing' acknowledging his love for the 'Hot Jazz' that was becoming
popular in Europe.
Included in the exhibition as well will be work Werkman created in 1944 for
underground groups such as In Agris Occupatis (In an Occupied Land). Though
the material was primarily composed of poetry and inspirational texts, these
groups operated clandestinely and may have alarmed the Nazi security police.
He had also, when working with De Blauwe Schuit, made pamphlets of Martin
Buber's religious texts including the Hasidic Legends, an activity that
undoubtedly aligned him with Jews in the minds of the country's occupiers.
Werkman was arrested in March 1945 by the Nazis and executed that April.
'This is a special opportunity to encounter works of art seldom seen in the
United States,' notes Associate Director John Stomberg, the exhibition's
curator, 'the vivid colors and deeply humanistic themes of the printed works
offer a bittersweet counterpoint to the tragic story that lies behind their
existence.'
Related Events
On November 11, 2004 the museum will host Alston Purvis, professor of
graphic design at Boston University and author of a recently published
monograph on the artist. Professor Purvis will give a public lecture at 7:00
p.m. at the museum. All museum events are free and open to the public.
The Williams College Museum of Art is open Tuesday through Saturday, from 10
a.m. to 5 p.m., and on Sunday from 1 to 5 p.m. Admission is free and the
museum is wheelchair accessible.
In the image: Obra gráfica.
Williamstown
Williams College Museum of Art
15 Lawrence Hall Drive, Ste 2 MA 01267