Tseng Kwong Chi: Ambiguous Ambassador; Brian Finke: 2-4-6-8.
TSENG KWONG CHI: AMBIGUOUS AMBASSADOR
January 6 - March 5
Tseng Kwong Chi: Ambiguous Ambassador, a new exhibition to be held at the
Stephen Cohen Gallery January 6 - March 5, will feature the expeditionary
self-portraits of this world-renowned photographer, performance artist, and
art world socialite. The show, which will commence with an opening
reception on January 6th from 7 - 9PM, will feature tongue-in-cheek images
of the artist posing as a Chinese Communist dignitary or "Ambiguous
Ambassador" in a world utterly alien to his persona, complete with the
classic Mao suit, dark glasses and identity tag stamped "Slut for Art". By
placing his character in stereotypically touristy sites around the world,
Kwong Chi addresses issues ranging from personal identity, to cultural
identity, to finding one's place in the world, to the exploration of the
nature of tourism, tourist photography, and landscape painting.
Born in 1950 in Hong Kong, Kwong Chi moved with his family to Canada in 1966
and eventually adopted New York as his home in 1979. Soon thereafter, he
met Keith Haring and other members of the East Village scene, which became
central to his life and work. With best friends Keith Haring, Kenny Scharf
and Ann Magnuson, Kwong Chi established himself as a famous documentarian
and denizen of the spirited New York downtown club scene. He also became
Keith Haring's official photographer and created an archive of over 50,000
images recording Keith Haring at work, including the early subway drawings
and later the large-scale commissions.
Prior to his death in 1990, Kwong Chi evolved two major bodies of work
during his brief career. The development of his "Ambiguous Ambassador"
persona in the late 1970s became the center of an ongoing performance piece
where the artist traveled through the US, exploring American culture. This
piece, "East Meets West" expanded through the years as he inserted himself
in stereotypically tourist sites from the Eiffel Tower to Kamakura, Japan,
from the Statue of Liberty to Hollywood, and finally to the grandness of
nature. Ricocheting between nature and culture the artist developed a
massive series of self-portraits which became the "Expeditionary Series."
Kwong Chi's work has been exhibited in many solo shows, including a major
retrospective at the Center for Creative Photography in Tucson, which has
traveled to numerous museums. His work is included in many public
collections, including the San Francisco Museum of Modern Art, the New York
Public Library, the New School in New York, the Museum of Fine Arts,
Houston, the Walker Art Center, the Wellesley College Art Museum, the Los
Angeles County Art Museum, the Hallmark Collection and the Solomon R.
Guggenheim Museum. His work continues to be included in many solo, group and
traveling exhibitions
Image:
Tseng Kwong Chi
Hollywood Hills, California, 1979
Silver gelatin print
copyright the artist, courtesy of the Stephen Cohen Gallery
_________
BRIAN FINKE: 2-4-6-8
January 6 - March 5
In conjunction with Tseng Kwong Chi: Ambiguous Ambassador in the main
gallery, Brian Finke: 2-4-6-8 will be on display in the viewing room at the
Stephen Cohen Gallery January 6 - March 5. The exhibition, which will
kick-off with an opening reception at the Gallery on Thursday, January 6
from 7 - 9PM, will reveal the private lives of teen cheerleaders and
football players and the conflicting roles they must adapt to in order to be
accepted by their fellow teammates.
Diversity in uniformity is what fascinated Finke about his chosen subject:
cheerleading competitions, photographed in New York City, Pennsylvania and
Florida. He followed competitors from 175 schools all over the US,
witnessing moments of emotion as they practiced, prayed and cried. In order
to reveal the girls' identity focused on their subtle expressions and
gestures. The images also reveal the development of these teenagers and how
they address such issues as social behavior, sexuality and individuality.
To compliment his series on cheerleaders, Finke decided to turn his camera
toward the issue of male bonding amongst football players. Like their
female supporters, these male teens are also wrestling with many of the same
issues. Viewers will gain a clear feel of the conflicting roles these young
men must adapt to in order to be accepted by their fellow teammates and the
coaching staff.
BRIAN FINKE graduated from the School of Visual Arts in New York City in
1998 with a BFA in Photography. His innate ability to focus on and capture
intimate moments within very public activities while at the same time giving
us the feel that this was all staged for our benefit has been featured in
periodicals such as The New York Times Magazine, The New Yorker, Details,
Esquire, Time and Newsweek, as well as in the book Here is New York. He has
received several prestigious grants and awards, including the Award of
Excellence from The Alexia Foundation for World Peace (1998) and the World
Press Photo Masterclass Award (2001). Finke`s photographs have also been
exhibited internationally and are included in collections worldwide.
Opening 5, January 2005
Press Contact:
Jeannine Schechter
T: 323.933.3932
The Stephen Cohen Gallery is located at 7358 Beverly Boulevard in Los
Angeles and is open Tuesday - Saturday, from 11a.m. to 5 p.m., and by
appointment.