Rick Whitaker - The italian Academy
Wood.sy - woodzee: a site specific installation. In his newer work the artist brings a complete environment to his audience. He selects, subtracts and re-utilizes images from the press, resizing and multiplying them so that they become visually imperceptible or simply assimilated into a new hierarchy of meanings. Curated by Olivia D'Aponte and Laura Barreca
Wood.sy - woodzee
curated by Olivia D’Aponte and Laura Barreca
The Italian Academy for Advanced Studies in America at the Columbia University
and The Italian Cultural Institute of New York are pleased to present
Wood.sy /woodzee/an installation by Francesco Simeti
Italian Contemporary Art in New York is a new series designed to bring the best of modern Italian
art to New York audiences. So often we regard Italy as the source of classical art and we forget to
focus simultaneously on its rich artistic contributions of today.
Italian Contemporary Art in New
York offers a selection of Italian artists that have recently gained international recognition, and all of
whom have chosen a language connected to historical traditions of Italian art. The aim of this series is
to demonstrate this "italian style," with in the context of American culture.
Wood.sy /woodzee/ will be the first exhibit of this series. It is a site specific installation created by
Francesco Simeti in the Salone of the McKim Mead and White's 1927 Casa Italiana, reconstructed by
Italo Rota and Sam White in 1993.
The Salone retains some of the casa’s original neo-renaissance
detail and its wood furniture.
This space reminds the artist of American male sporting clubs,
typically exclusive, and often associated with hunting and other predominantly male activities.
Simeti examines the subtleties of this “woodsy†environment and plays with themes involving its
obscurity and inscrutability. Wood.sy /woodzee/ is characteristic of Simeti’s newer work in which he
brings a complete environment to his audience.
Simeti selects, subtracts and re-utilizes images from
the press, resizing them, making them uniform, and multiplying them so that they become visually
imperceptible or simply assimilated into a new hierarchy of meanings.
For Wood·sy /wóodzee/,
Simeti uses images and designs from 15th and 16th century Italian Botanical Prints along with
illustrations and images from American hunting mail order catalogues.
Francesco Simeti (Palermo, 1968) lives and works in New York and Palermo. He is recognized
internationally and has exhibited in museums and public and private spaces such as the Institute of
Contemporary Art, Philadelphia (ICA); XIV Quadriennale di Roma, Galleria Nazionale d’Arte
Moderna, Roma; Netherland Media Institute, Amsterdam; The Fabric Workshop and Museum,
Philadelphia; The RISD Museum, Providence; Cooper-Hewitt Museum, New York; Mu.dac,
Lausanne.
Opening: October 5th, 6-8 pm
The Italian Academy
1161 Amsterdam Avenue - New York
Hours: Monday-Friday, 9am-5pm