Richard Mirando (a.k.a. SEEN) has made a transition into the world of sculpture experimenting with its many textures and media. In this new work there are symbolic references to urban environment as well skulls that represents fear, in all its shades.
Vintage Monsters
Making his start in the late 1970’s and early
1980’s as a NYC subway painter, Mirando has
exhibited in museums and galleries all over the
world. Now retreating from the flat surface of SEEN
on trains
and canvas, he has made a transition into the world
of sculpture experimenting with its many textures
and media. In this new work you can find symbolic
references to urban environment as well skulls that
represents fear, in all its shades:
“The medium I choose to work with today comes from
my history working near and with objects from the
streets, the discarded rusty pieces of metal, and
parts of the transportation system left to die on
the side of the tracks, that are the visual clues of
the transmutation by the weather-time action, giving
to them a new form, shape and surface to be used for
a different purpose and life.â€
Richard Mirando is well known artist and who lives
and works in NYC. He has exhibited extensively
throughout the United States and abroad. His work is
in major private and public collections.
“Many of the great New York City subway painters
from the late 1970's and early 1980's have fallen
into oblivion, nevertheless several have been quite
successful with their creativity since that period.
Richard Mirando (a.k.a. SEEN) may have been the
greatest and most versatile artist from this
generation of subway painters. SEEN produced some of
the most innovative whole carriage murals. Many
photographic reproductions of his public paintings
are known world wide, especially where graffiti has
left an indelible mark on society.
More than any other painter of this genre, his name
is most known due to the popularity of his clothing
manufacturing company; several tattoo parlors
bearing his name throughout the NYC area; and his
constant globetrotting. SEEN's extensive creativity
was first highlighted in the books "Subway Art" and
"Spraycan Art", by the talented photographers Henry
Chalfant and Martha Cooper. The international cult
classic documentary "Style Wars" was broadcasted on
NYC PBS stations and had a limited run in art house
cinemas. The film offered a refreshing insight to
the thoughts and creations by this artist. "Style
Wars" also highlighted his humorous, whimsical and
compassionate demeanor.â€
Soma NYC Gallery Catalog
"SEEN's influence on style in New York City is
quickly apparent to anyone who visits his East Bronx
neighborhood. In other parts of the United States
and throughout the world, he is probably one of the
most imitated and emulated of New York writers."
-James Prigoff 1987. Spraycan Art
"SEEN-the ultimate graffiti writer. He's done
everything. He's done it all the right way. It's
pretty much flawless. There is not much better you
can get."
-SANE 1986. Subway Art
"He personifies the very best elements of his
movement (yes, his movement). Tenacity and drive are
such overly developed components in this individual
that they can be easily mistaken for grabs at global
domination. Like all virtuosos, SEEN has the pesky
ability to make daunting challenges appear easy. But
his work-boot approach to art making seems almost to
contradict the plush, velvety results his hand produce."
About McCaig-Welles
McCaig-Welles Gallery opened March 3, 2001 at
Havemeyer and S. 2nd Street, and moved to its
current Williamsburg location at 129 Roebling Street
in September of 2003. It is an artist-run gallery
emphasizing urban and street art, showing mid-career
and well known artists including Shepard
Fairey, The Goldmine Shithouse, Logik, Futura, The
Tats Cru, Seen, Quik, SP. One, Dalek, Doze, and Martha
Cooper. McCaig-Welles is a
member of The Williamsburg Gallery Association and
was cited for "Best Graffiti Art" in "The Best of
Manhattan" issue of The New York Press. Recent
reviews and articles have been featured in
The New York Press, AM NY, The Village Voice, The
Wooster Collective, The Columbia Spectator, Paper
Magazine, The New York Times, Artnet, Flavorpill and
more...
Opening Reception: Friday, October 7, 2005 7-10pm
McCaig-Welles Gallery
129 Roebling Street - Brooklyn