Downtown Show
dal 9/1/2006 al 31/3/2006
Segnalato da
9/1/2006
Downtown Show
Grey Art Gallery, New York
Downtown New York has been an epicenter of creative ferment for more than 150 years. One decade, from 1974 to 1984, is the subject of a landmark exhibition. Featuring approximately 375 paintings, sculptures, drawings, videos, and photographs as well as over 70 items from the Downtown Collection of Fales—the world’s most extensive archive of books, journals, posters, and ephemera relating to the Downtown scene from 1970 to the present.
Downtown Show
New York Art Scene from 1974 to 1984
Co-organized by NYU’s Grey Art Gallery and Fales Library, The Downtown Show will be the first definitive survey of the art and culture produced in Downtown New York during the volatile 10-year period from 1974 to 1984. Emerging in the aftermath of the Summer of Love and coming to a close with the re-election of Ronald Reagan, the Downtown scene attracted artists, musicians, performers, filmmakers, writers, and others who could afford the then-low rents of Lower East Side tenements and SoHo lofts. Influenced by the Beats and the New York School painters as well as by hippies, Marxists, and anarchists, Downtown artists shared similar attitudes toward the production and possibilities of art. The Downtown Show features approximately 200 paintings, sculptures, drawings, graffiti, videos, and photographs as well as over 100 items from Fales Library, New York University’s rare book and manuscript collection, which is the largest repository of materials?—including books, photographs, videos, printed journals, and ephemera?—relating to the Downtown New York scene.
Like Dada and Pop, Downtown art pushed the limits of artistic categories: visual artists were also writers, writers developed performance pieces, performers incorporated videos into their work, and everyone was in a band. Instead of rejecting traditional forms, Downtown artists and writers worked to undermine from within the conventional structures of artistic media and the culture that had grown up around them.
Clearly, the impetus for this endeavor is not ours alone—it is in the air. In 2002, Julie Ault’s Alternative Art, New York, 1965-1985 was published. The following year, Artforum produced a specially packaged, two-issue volume on the 1980s that, not surprisingly, focused on the more commercially successful artists. And, of course, this year, Dan Cameron’s show, East Village USA, opened in the New Museum’s temporary space in Chelsea. What substantially differentiates The Downtown Show is its focus on the New York art scene’s shift from SoHo to the East Village and the substantial holdings drawn from the Downtown Collection at NYU’s Fales Library.
The Downtown Show will highlight the various artistic scenes that coexisted downtown and situate them within larger social and historical contexts. Curated by Carlo McCormick, the exhibition will explore minimalist and techno music, postmodern dance, experimental film and video, and performance art presented through documents, photographs, video footage, and film, creating a vibrant picture of a radically new, subversive, and postmodern approach to art and life.
The exhibition will travel to the Andy Warhol Museum, Pittsburgh, Pennsylvania from May 20 to September 3, 2006, and then to the Austin Museum of Art, Texas from November 11 to January 28, 2007. The presentation of The Downtown Show at the Grey Art Gallery is made possible in part bythe Andy Warhol Foundation for the Visual Arts, the New York State Council on the Arts, Philip Aarons and Shelley Fox Aarons, M.D., The Buhl Foundation, the New York University Humanities Council, and the Abby Weed Grey Trust. Public programs are supported by the Grey’s Inter/National Council.
Photo Credit: Peter Hujar, Leroy Street, 1976
Courtesy Matthew Marks Gallery, New York
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