Francois Bucher
Carola Dertnig
Maryam Jafri
Little Warsaw
Ming Wong
Rethinking Nordic Colonialism
Lucas Bambozzi
Cao Guimaraes
Beto Magalhaes
Lise Nellemann
Group show. The exhibition is a second comprehensive guide to the rewriting of history, a desire to create an all-encompassing narrative with which one's life is explained. This time the focus is (the public monument as an accessible icon of) collective memory and also: the re-writing of these common grounds and references.
Group show
Francois Bucher, Carola Dertnig, Maryam Jafri, Little
Warsaw, Ming Wong, Rethinking Nordic Colonialism and Lucas Bambozzi/
Cao Guimaraes/ Beto Magalhaes
Curated by Lise Nellemann
This exhibition is a second comprehensive guide to the
rewriting of history, a desire to create an all-encompassing narrative
with which one's life is explained. This time the focus is (the public
monument as an accessible icon of) collective memory and also: the
re-writing of these common grounds and references.
Little Warsaw presented a single statue in the
Hungarian Pavilion at the 50th Venice Biennale, The Body of
Nefertiti. It is a contemporary complement to the famous female
portrait in Berlin’s Agyptisches Museum und Papyrus Sammlung. In
Sparwasser HQ the artists will show the video made in Berlin, where
the head is finally placed on the body.
Little Warsaw simultaneously produce works of art and the
peculiar systems of reference that stand behind them. The public
sculpture is especially important as something that in its message and
appearance seeks to be 'communal', the vehicle of ideas and aesthetic
values whose tradition greatly relies on the notion of consensus,
agreement on aesthetics and content. The artists are interested in
popular and historic symbols, the chance to revitalize them, and put
them in contemporary contexts. With such gestures Little Warsaw tries
to establish a connection between the present and the temporality of
art, as well as its potential for mediation, to use forms that ensure
the references of the work are comprehensible to more than a select
minority. (by Zsolt Petra'nyi)
Carrying out an investigation into performative strategies
from recent decades, Carola Dertnig presents a critical
feminist perspective of viewing the female body. In the work, the
Austrian artist places the female actor into the central area of
interest, when she re-writes photo works of the Vienna actionists
(Wiener Aktionismus). She intervenes into a canonised genre within
recent art history, changing the content of the work, and in this way
bringing the photos into a contemporary context.
Shakespeare holds a place in collective memory and as such
may be considered a monument. In the video work from 2002 the Singapore
artist Ming Wong reinterprets the great existential question as
uttered by the Danish prince Hamlet,To be... or not to
be... etc, and articulates his inarticulateness
in grappling with questions of existence and identity.
New patterns of meaning begin to emerge.
Francois Bucher (Colombia) re-enacts a piece of
European literature by having Franz Kafka’s allegory “Before
the Law interpreted live over a telephone line by Katharine
Gun. Gun was a translator, working with the British secret service who
chose to leak information, compromising the U.S. and U.K. governments
in their push for a U.N. resolution on the invasion of Iraq. Gun
disclosed their plans to illegally wiretap the delegations of the
Security Council holding the balance of power at the U.N. building.
She was acquitted by the U.K. government when it became clear to them
that her court case would become a trial on the war’s
legality.
Maryam Jafri, an artist with Pakistani and American
roots who lives in Denmark, shows a work in the exhibition which
examines the narrative arc of earlier colonial wars of conquest,
revealing the Iraq war and the war on Terror to conform to this
predetermined script. A photo collage and a poster, it features an
iconic image from the toppling of Saddam's statue in April 2003. The
text is an excerpt from The Times of London reprint of Lt.
General Sir Stanley Maude's proclamation Freedom for the
Arabs issued when British occupation forces conquered
Baghdad in 1917.
Maryam Jafri's work is a loan from the exhibition
Rethinking Nordic Colonialism: A Postcolonial Exhibition Project in
Five Acts which opens its first station in Reykjavik on March
24. Rethinking Nordic Colonialism takes as its central concern
the missing self awareness and discourse in a
postcolonial Nordic region. In Sparwasser HQ a computer with
the extensive homepage and a user guide to the 4
stations will be exhibited.
http://www.rethinking-nordic-colonialism.org
The exhibition in Sparwasser HQ will include the film
The End of the Endless, a documentary film that has uses the
scenery of the upcoming disappearance of some jobs and professions in
Brazil. The film is by Lucas Bambozzi, Cao Guimaraes, Beto
Magalhaes. It is part of the screening series portraits
in film of the exhibition Again for Tomorrow, which
recently opened in RCA, London.
http://www.cca.rca.ac.uk/againfortomorrow
Opening: March 25. from 7 pm to 11 pm
Artists talk with Little Warsaw
March 28. at 8
PM
Sparwasser HQ
Torstrasse 161 - Berlin
Open: We-Fr 4 pm-7 pm, Sa 2 pm-6 pm
Extra open: Sunday March 26. from 12 pm to 6 pm
Friday March 31. and Saturday April 1. also from 7 pm
to 11 pm