Schirn Kunsthalle
Frankfurt
Romerberg
+49 69 2998820 FAX +49 69 299882240
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Three exhibitions
dal 13/6/2006 al 2/9/2006
Tu-Fr-Su 10am-7pm, Wed-Thur 10am-10pm

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Schirn Kunsthalle



 
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13/6/2006

Three exhibitions

Schirn Kunsthalle, Frankfurt

The streets of Paris and Berlin, a German art newspaper and the former French colony Algeria are the focus of a joint exhibition project by the Schirn Kunsthalle Frankfurt, the Haus der Kunst Munchen, and the Deichtorhallen Hamburg. The show examines the history of art to address questions of European democracy since the revolutionary year 1848.


comunicato stampa

Art and democracy

The streets of Paris and Berlin, a German art newspaper and the former French colony Algeria are the focus of a joint exhibition project by the Schirn Kunsthalle Frankfurt, the Haus der Kunst Munchen, and the Deichtorhallen Hamburg. Under the broad title Art and Democracy, it will examine the history of art to address questions of European democracy since the revolutionary year 1848, which spelled an end to absolutism and led to the introduction of national sovereignty.

Particularly important for the overall exhibition project is the history of the gaze, which exchanged the single-point perspective of the ruler for disparate viewpoints, and provides a wide variety of images by and for a self-perceptive modern society.

Conquering the Streets
Schirn Kunsthalle Frankfurt
(15 June-3 September 2006)

The exhibition Conquering the Streets at the Schirn Kunsthalle does not attempt to make a comparison but rather to establish an urbanistic system of reference that connects the metropolises of French Impressionism and German Expressionism. In doing so it not only reveals a decades-long fascination on the part of artists for a new form of landscape painting but also follows in parallel a trail of urban planning that extended from the enduring interventions of Baron Georges-Euge'ne Haussmann in Paris to extensive new construction in Berlin under James Hobrecht.

The fascination and curiosity with which artists like Claude Monet and Camille Pissarro recorded the anonymity of the urban resident and thus shifted the genre of landscape to the urban space mutated in the confrontation with Berlin during the first decades of the twentieth century into the horror of a society and, especially as depicted by George Grosz or even Ludwig Meidner, perverted the city and turned it into a living being, a wild predator.

Architecture and painting, and later photography, lithography, and film as well, establish a broad panorama in the Frankfurt exhibition of the life of society, more particular bourgeois society, in these two metropolises and provide information about changes in the perception and self-perception of modern ways of life.

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A view for the people. Art for all.
Haus der Kunst Munchen
(14 June-3 September 2006)

That which the Frankfurt exhibition catches in a rather wide-meshed net is made more precise by the exhibition "A view for the people. Art for all" at the Haus der Kunst in Munich. One factor of profound significance in the artistic education of modern society was the journal Die Kunst fur Alle (Art for everyone), which was first published in 1885 by the Bruckmann-Verlag in Munich.

It enjoyed some of the circulation figures and the greatest influence of any art journal in German, and it exploited fully the new medium of photographic reproduction of paintings. The editors wanted to do more than reproduce art, however; they wanted to comment on it and give it direction.

The journal proclaimed a new, “modern" art that would not be elitist, avant-garde, or incomprehensible but should belong to the people. The journal’s programmatic title was supposed to be fulfilled in the political dimension of the “people": with slogans like “health" and “race" the journal delivered messages that would later be adopted by the National Socialists.

The exhibition presents paintings, prints, and postcards by artists like Franz von Stuck, Lovis Corinth, and Hans Thoma as well as by painters of the 1920s and from the Grobe Deutsche Kunstaustellungen (Great German art exhibitions). The focus of the exhibition is on the journal itself. Every year from 1885 to 1944 is represented in a selection of relevant quotations and pages. The staging and programming of seeing for the masses that was the aim of the editors of Die Kunst fur Alle thus becomes evident in the exhibition.

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Pierre Bourdieu: The Algerian War and Photography
Deichtorhallen Hamburg
(23 June-3 September 2006)

The exhibition "Pierre Bourdieu: The Algerian War and Photography" in the House of Photography at the Deichtorhallen Hamburg turns our gaze toward another culture. The collection of photographs by the famous French sociologist and anthropologist Pierre Bourdieu, which have been made public only recently, were taken during the brutal guerilla war in what was then a French colony in north Africa. They tell the story of a bloody conflict that began in the mid-nineteenth century between settlers from Europe who were originally motivated by democratize and civilize the country (some of them were exiled democrats from the 1848 revolution) and the Muslim population striving for self-determination.

The photographic production from this final and most intense “war of photographs" ranges from the reportage photography of the 1950s and 1960s from the French weekly illustrated magazine Paris Match and the German magazines Stern and Der Spiegel by way of propaganda photographs from both sides on to private and personal photographs by soldiers, freedom fighters, and eyewitnesses, including Pierre Bourdieu’s photographs from Algeria. The result is a critical dialogue over free democracy and a “struggle between civilizations" that is highly topical today.

Opening Hours: tue-fri-sun 10am-7pm, wed-thur 10am-10pm
Schirn Kunsthalle
Romerberg - Frankfurt am Main

Opening Hours: monday-sunday 10-20, thursday 10-22
Haus der Kunst Munchen
Prinzregentenstrasse 1 - Munchen

Opening Hours: Tue-Sun 11:00 - 18:00 Uhr, Closed on mondays.
Deichtorhallen Hamburg
Deichtorstrasse 1+2 - Hamburg

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