Jake Borndal
Sanford Biggers
Maureen Connor
Ben Coonley
Daily Dancer
Kan Xua
Kaoru Katayama
Mike Kelley
Kathleen Goncharov
The show takes its title from the opening line of the 1990 CC Music Factory song. This exhibition, curated by Kathleen Goncharov, showcases work by an international cast of contemporary artists as well as excerpts from popular culture venues such as public access television, You Tube, and Google Video.
EFA Gallery opens its fall season with a first video only exhibition curated by
Kathleen Goncharov.
Artists: Jake Borndal, Sanford Biggers, caraballo-farman, Maureen Connor, Ben
Coonley, Daily Dancer, Kan Xua, Kaoru Katayama, Mike Kelley, Rodney McMillian,Trine
Lise Nedreaas, Christodoulos Panayiotou, Laura Parnes, Barbara Pollack, Ron
Rocheleau’s ConcreteTV, Valeska Soares, Michael Smith, Jennifer Sullivan, William
Wegman, Wild Record Collection, and Michael Zansky
Everybody Dance Now takes its title from the opening line of the 1990 CC Music
Factory song. This exhibition, curated by Kathleen Goncharov, showcases work by an
international cast of contemporary artists as well as excerpts from popular culture
venues such as public access television, You Tube, and Google Video. The show
celebrates the universal human urge to move to the beat (although dogs, frogs,
bears, ponies, ghosts, and alligators sometimes act as surrogates for people). The
title of the exhibition is literal…everyone dances when all these characters move to
the groove and show off their collective talent (or lack there of).
Although many of the works in the exhibition are amusing, they often have a dark
humor and address such serious issues as gender and racial stereotypes, war,
violence, media manipulation, globalization, and cultural conflict. Other videos
deal with more personal matters that concern us all, such as aging, mortality, the
dilemmas of adolescence, and the sexual insecurities that follow us through life.
Dog Duet, by video pioneer William Wegman, features the artist’s famous weimaraners
who perform in perfect synch. Trine Lise Nedreaas’ poetic work is a life size
projection that depicts an 87 year-old man dancing the tango with an invisible
partner in an abandoned ballroom. Valeska Soares’ subject is similar but her dancers
perform with imaginary partners on a mirrored floor in a Brazilian nightclub
designed by Oscar Niemeyer.
Performance artist Michael Smith’s character “Mike" is a parody of the “everyman"
who craves social acceptance but like most of us ultimately ends up a loser. Smith
contributes excerpts of his dancing alter ego from videos he’s made over the past
twenty-five years. Another everyman, an unabashed nerd, the Daily Dancer, who posts
on the Internet, trips over his vacuum cleaner while dancing to Aretha Franklin’s
Respect. TV personality Stephen Colbert dances to the hymn King of Glory in an
Internet clip and another found video teaches black people how to “dance like a
white guy."
Mike Kelley’s contributes two short videos from his Day is Done project in which
adults reenact the “extracurricular" activities depicted in photographs from old
high school yearbooks. Laura Parnes and Jennifer Sullivan also look at adolescents,
in particular participants in amateur talent shows. Rodney McMillian dances to a
Prince song in a disturbing blue mask and Sanford Biggers makes the connection
between Hip Hop and Kung Fu. Maureen Connor’s video installation recalls 1950s
insecurities and gender stereotypes in a children’s dance class. Barbara Pollack
collaborates with her 18 year old son on a two-channel video where he and his
friends dance in a simulated mosh pit and perform a tableaux of an infamous
photograph from Abu Ghraib. Michael Zansky also deals with failed US policies and
asks whether we are dancing our way back into the primordial slime led by Godzilla,
who bears a striking resemblance to Ronald Reagan.
Kaoru Katayama, a Japanese artist living in Spain explores cultural confusion in a
video of traditional dancers from Salamanca who try to use their native steps while
dancing to techno music. Christodoulos Panayiotou’s video is documentation of Slow
Dance Marathon, a performance in which total strangers slow dance over a twenty-four
hour period to sentimental pop love songs. Kan Xua has a hilarious and surprising
take on Chinese revolutionary opera and caraballo-farman’s floor projection is a
ballet of vibrators. Ben Coonley’s mechanical ponies talk and do The Pony to a
Chubby Checker song as well as teach themselves the Texas two-step.
Continuing with the animal theme, the collaborators responsible for Manhattan
Neighborhood Network’s Wild Record Collection feature their toy polar bear Snuffles
and his stuffed animal friends who dance to cuts from their collection of thousands
of LPs. Another MNN favorite, Ron Rocheleau’s Concrete TV, features brilliantly
edited clips of strip club dancers, car crashes and brief scenes from popular
movies. Jake Borndal creates a special TV and Internet lounge for viewing these
programs and found footage.
Everybody Dance Now presents work that ranges from the ridiculous to the sublime;
some are profound and others are downright silly, but they all reflect the human
condition through the urge to dance.
Artists in the exhibition include Jake Borndal, Sanford Biggers, caraballo-farman,
Maureen Connor, Ben Coonley, Daily Dancer, Kan Xua, Kaoru Katayama, Mike Kelley,
Rodney McMillian, Trine Lise Nedreaas, Christodoulos Panayiotou, Nam June Paik,
Laura Parnes, Barbara Pollack, Ron Rocheleau’s Concrete TV, Valeska Soares, Michael
Smith, Jennifer Sullivan, William Wegman, The Wild Record Collection, and Michael
Zansky.
***
Kathleen Goncharov is an independent curator and critic. She has served as Adjunct
Curator at the Nasher Museum of Art at Duke University, US Commissioner to the 50th
Venice Biennale, Public Art Curator at Massachusetts Institute of Technology, and
Curator of the Collection at The New School. She lives and works in New York City.
This exhibition is presented by The EFA Gallery, a program of the Elizabeth
Foundation for the Arts. With additional support from The Milton and Sally Avery
Foundation, The Helen Keeler Burke Charitable Foundation, Peter C. Gould, Materials
for the Arts, and Carnegie Corporation Inc.
The EFA Gallery is a curatorial project space. Through the gallery, The Elizabeth
Foundation for the Arts supports the creative work of independent curators. Curators
build the framework in which we understand artists and the art they make. At their
best, they redefine how we look at culture. The Elizabeth Foundation for the Arts
believes in the essential importance of art in a civil society. The value of the
artist's creative spirit is not limited by age, race, nationality or acceptance by
others.
Opening, Sept. 8, 6 - 8 PM
EFA Gallery / EFA Studio Center
323 West 39th Street, 2nd Floor - New York
Wed. through Sat., 12-6 PM