‘Wunderkammer’ is the result of Zoe Mendelson’s summer long residency in the gallery and can be considered the artist’s most ambitious site specific project to date. It consists of two exhibitions, one of which is concealed within the other to be revealed upon investigation.
Wunderkammer
We are pleased to announce ‘Wunderkammer’, Zoe Mendelson’s second solo exhibition
at galerie schleicher+lange.
‘Wunderkammer’ is the result of Zoe Mendelson’s summer long residency in the gallery
and can be considered the artist’s most ambitious site specific project to date. It
consists of two exhibitions, one of which is concealed within the other to be
revealed upon investigation.
In a first phase the artist conceived a new body of work for exhibition in the
gallery, consisting of works on paper, objects and paintings. Mendelson then curated
a drawn ‘ghost of the exhibition’ within which to conceal these works.
‘Wunderkammer’ thus became a fictional version of the show drawn directly onto the
walls of the gallery as if it were hung - or perhaps grown - in the space. The
individual elements of the pencil wall-drawing are functioning as phantoms of the
actual ‘physical’ works the artist has prepared for the exhibition. These permanent
works will remain - metaphorically and physically - in the
background, only visible on exploration, thus challenging the viewer to imagine what
is real and what is fictitious; what is archival and what is temporal.
The title of the exhibition refers to the cabinets of curiosities, dating from the
17th century, which were collections of artifacts kept by many early practitioners
of science and anthropology in Europe, and were early precursors to the museum. The
wunderkammer were often extremely personal - and somewhat false - histories in that
in many cases there was not much critical taxonomy employed and fictitious objects
were included amongst the real artifacts. Mendelson’s Wunderkammer is a questionably
illusory collection or show, its
intimacy throwing up questions about display and the personal.
For Zoe Mendelson temporality is an important part in the creation of site-specific
works: Comparing the process to ‘building elaborate sandcastles speedily before a
high tide’, it becomes almost performative to her. Fr!
eed from
the drawings’ longevity, she is content to leave them behind once the making is
over. Consequently the wall pieces will be destroyed after the three month
exhibition period, leaving the objects and other permanent works behind as a
physical reminder of what was their own archive.
Borne out of contemporary fantasies, Mendelson’s drawn, intricate dreamscapes embody
dislocated narratives with conflicting roots in children’s illustration, botanical
and erotic drawing that play off intimations of desire with sensations of disgust
and discomfort.
Her hollowed out drawings of female characters, whose poses and expressions are
lifted from the mechanical repertoire of adult entertainment, are combined with
lavish, embellished flora and fauna that sit within theatrical architectural and
horticultural settings.
The emptiness of the drawn girls allows a fantastical internal world to leak out.
This internal world threatens to take over its female characters entirely; the
figures become entangled and hidden, or begin to morph into their own environments.
Through these embellished worlds, the artist manipulates an idealised romance and
gentility and employs their codes as a cover for erotic excess, allowing the work to
expose itself as politely soiled.
Using imagery that is heavily inspired by obsession and dreams, as well as secret
desire, Mendelson plays with our collective subconscious: Although elements look, at
first sight, to be familiar, we nevertheless fail to establish their origin, leaving
us intrigued and puzzled at the same time.
Zoe Mendelson (*1976) lives and works in London. Since her first exhibition at the
gallery in 2004, her work has been presented in numerous solo and group exhibitions
in Europe and could be seen in last year’s ‘J’en Reve’ exhibition at the Fondation
Cartier in Paris.
AfterShow
To celebrate the beginning of the new art year we would like to invite you to the
after-opening party at the Maxim's nightclub.
Should you be in Paris and like to join us, please write us an email in order to be
put on the guest-list.
Http://www.schleicherlange.com
info@schleicherlange.com
press contact:
choghakate kazarian:
choghakate@schleicherlange.com
opening reception: saturday, september 9th from 6.30pm to 9.30pm
galerie schleicher+lange
12, Rue de Picardie - Parigi