Graphics and Objects. His editions of books, graphics and multiples exhibited here are one-of-a-kind works of art. Roth eschewed traditional artistic procedures, for example, by slicing up newspaper pages to make microbooks, including The Daily Mirror Book (1961), a miniscule book made out of pages from the British tabloid, The Daily Mirror.
Unique Editions
Dieter Roth: Unique Editions is a two-gallery exhibition in New York highlighting
the originality of Roth’s editions and books, which have, until recently, been known
primarily through underground channels. The two-part exhibition on the German-born,
Swiss artist, who lived from 1930 -1998, is organized by Carolina Nitsch
Contemporary Art and Jose Bienvenu Gallery in collaboration with Matthew
Zucker.
Roth’s editions of books, graphics and multiples exhibited here are one-of-a-kind
works of art. Roth eschewed traditional artistic procedures, for example, by slicing
up newspaper pages to make microbooks, including The Daily Mirror Book (1961), a
miniscule book made out of pages from the British tabloid, The Daily Mirror. The
artist also regularly made use of non-art mediums such as chocolate, cheese,
sausage, and banana, to create unique, fugitive works.
What distinguishes this exhibition is that at least two examples of each edition are
shown together, demonstrating Roth’s exploration of difference within structures of
sameness. The exhibition clearly demonstrates the variety of the artist’s editions,
challenging commonly held ideas of what constitutes an edition.
Like Ed Ruscha, Dieter Roth is a pioneer of the modern artist’s book. His first and
most unique books include children’s books and hand-cut slot books dating from the
mid-1950s, several years before Ruscha published his first title in 1963. Roth’s
books and editions constituted the works to which he was most passionately
committed; they were also the ones on which his original reputation was built in
Europe during the late1960s and early 1970s; his first major museum shows were all
retrospectives of books and editions.
As Garry Garrels, Curator of Roth’s 2004 exhibition at MoMA writes, “Roth’s work
developed over a fifty-year period with both a diversity and a logical coherence
that establish him as one of the most singular and important artists of the second
half of the century. Roth shifted from a foundation in classic modernism into the
arena of contemporary art, or what has been sometimes called “post-modernism".
Testing fundamental issues of authorship and the notion of the self is fused with
equally essential questions of the character and nature of art, the materials from
which art may be made, as well as the hierarchies and distinctions between media."
Dieter Roth created the majority of the works in the exhibition in his own studio,
seizing control of most aspects of the creative and publishing process. With this
hands-on, do-it-yourself approach, Roth created unique books, prints, and editions
challenging conventional genres; having influenced many artists over the last four
decades, from Richard Hamilton to more recently Martin Kippenberger, Jason Rhoades
and others, these works are arguably among his most significant contributions to art
history.
New Publication: “Artists’ Books by Dieter Roth"
Coinciding with the two-gallery exhibition is the new publication “Artists’ Books by
Dieter Roth" featuring a survey on the books made by Dieter Roth. In particular it
lists all books from Roth’s Collected Works series. The book comes with a text by
Dirk Dobke, Curator, Dieter Roth Foundation, and has approx. 400 color reproductions
on 200 pages. Published by Matthew Zucker/Irving Zucker Art Books, distributed by
D.A.P. , ISBN 978-0-9790321-0-3 / 0-9790321-0-5, $ 50.00.
A limited edition of 30 copies with an original, signed drawing by Dieter Roth will
be available.
Graphics and Objects
October 12 - November 25, 2006
opening Thursday October 12, 6-8 pm
Carolina Nitsch Contemporary Art
Books
October 19 - November 25, 2006
opening Thursday October 19, 6-8 pm
Jose Bienvenu Gallery