David Altmejd
Cuno Amiet
Albert Anker
John Armleder
Keith Arnatt
Andisheh Avini
John Baldessari
Stefan Balkenhol
Miquel Barcelo'
Berclaz de Sierre
Olaf Breuning
AA Bronson
Arnold Brugger
Max Buri
Balthasar Burkhard
Com & Com
George Condo
William Nelson Copley
Benjamin Cottam
Hans Danuser
Franz Dodel
Marlene Dumas
Carl Durheim
James Ensor
Sue Fox
Katharina Fritsch
Christiana Glidden
Felix Gonzalez-Torres
Neil Hamon
Ferdinand Hodler
Peter Hujar
Zuzanne Janin
Izima Kaoru
Martin Kippenberger
Paul Klee
Denis Laget
Ergy Landau
Robert Lazzarini
Sol LeWitt
Andrew Lord
Jorge Macchi
Edouard Manet
Raoul Marek
Teresa Margolles
Ana Mendieta
Claude Monet
Jonathan Monk
Gianni Motti
Claes Oldenburg
Gabriel Orozco
Paa Joe
Adrian Paci
Raymond Pettibon
Srinivasa Prasad
Marc Quinn
Arnulf Rainer
Araya Rasdjarmrearnsook
Ferdinand von Rayski
Gerhard Richter
Aida Ruilova
Joe Scanlan
Jean-Frederic Schnyder
Ene -Liis Semper
Andres Serrano
David Shrigley
Daniel Spoerri
Karl Stauffer-Bern
Paul Thek
Rosemarie Trockel
Kon Trubkovich
Gavin Turk
Francis Upritchard
Edouard Vallet
Felix Vallotton
Jan Vercruysse
Andy Warhol
Joel-Peter Witkin
Remy Zaugg
Bernhard Fibicher
Susanne Friedli
Autopsy of our Relation to the Dead. The show is divided into 6 chapters titled: Corpses, Skulls and Skeletons, Bodies, Burials and Bereavement, Homage: The Beloved and Revered Dead, The Artist’s Death, Death and Lifestyle and Afterlife. The exhibition brings together works from different centuries from the collection of the Kunstmuseum, loans from other institutions and artists as well as works created specially for the exhibition. The main focus however is on contemporary art from different continents and cultures. Curated by Bernhard Fibicher and Susanne Friedli.
Autopsy of our Relation to the Dead
curated by Bernhard Fibicher and Susanne Friedli
The exhibition:
Violence and death are everywhere in the media. However, direct contact with the
dead is avoided in our society. The corpse has been firmly banished from our view
and replaced by a new system of rituals and symbols that mediate the finiteness of
human existence. Thus, for example, the skull has evolved from a sub-cultural emblem
to an elegant mainstream fashion accessory. In other places and cultures a more
direct contact with the dead can be found; here, a greater amount of ritual
compensates for this directness. Repression, catharsis, devaluation of symbols,
metaphorisation, the invention of substitute rituals, neutralisation, black humour
and other means are re-used in new ways in order to deal with our natural
awkwardness when faced with the idea of death and above all with the dead body.
Death is an ancient and universal theme in art. The fear of death and the desire to
see/understand are the most important impulses in human action and thought; in fact,
they are the origin of human culture. Two extremes are found in contemporary art:
ritual, which had been abandoned by religion to service industry professionals or
the media, has been reclaimed for art and restaged and reconstructed using the
methods of art; alternatively, some artists have brought the unwelcome corpse back
into view and they demonstrate to us in an often direct - indeed intentionally crude
- fashion that (physical) existence (also) continues after death.
Contemporary art confirms that death is ‘in’ again. Academic interest in the topic
of dying, death and funerary practice has also increased strikingly in recent years.
The newly-awakened interest of art, popular culture and academia in death is a sign
that this topic is no longer being repressed and that ‘a new visibility of death’
has developed.
Six feet under brings together works from different centuries from the collection of
the Kunstmuseum Bern, loans from other institutions and artists as well as works
created specially for the exhibition. The main focus however is on contemporary art
from different continents and cultures: Europe, America, Mexico, China, Japan,
Thailand, India and Ghana.
The exhibition is divided into 6 chapters titled: “Corpses, Skulls and Skeletons",
“Bodies, Burials and Bereavement", “Homage: The Beloved and Revered Dead", “The
Artist’s Death", “Death and Lifestyle" and “Afterlife" and curated by Bernhard
Fibicher and Susanne Friedli.
Artists list:
David Altmejd, Cuno Amiet, Albert Anker, John Armleder, Keith Arnatt, Andisheh
Avini, John Baldessari, Stefan Balkenhol, Miquel Barcelo', Berclaz de Sierre,
Olaf Breuning, AA Bronson, Arnold Brugger, Max Buri, Balthasar Burkhard, Com
& Com, George Condo, William Nelson Copley, Benjamin Cottam, Hans Danuser, Franz
Dodel, Marlene Dumas, Carl Durheim, James Ensor, Sue Fox, Katharina Fritsch,
Christiana Glidden, Felix Gonzalez-Torres, Neil Hamon, Ferdinand Hodler, Peter
Hujar, Zuzanne Janin, Izima Kaoru, Martin Kippenberger, Paul Klee, Denis Laget, Ergy
Landau, Robert Lazzarini, Sol LeWitt, Andrew Lord, Jorge Macchi, Edouard Manet,
Raoul Marek, Teresa Margolles, Ana Mendieta, Claude Monet, Jonathan Monk, Gianni
Motti, Claes Oldenburg, Gabriel Orozco, Paa Joe, Adrian Paci,, Raymond Pettibon,
Srinivasa Prasad, Marc Quinn, Arnulf Rainer, Araya Rasdjarmrearnsook, Ferdinand von
Rayski, Gerhard Richter, Aida Ruilova, Joe Scanlan, Jean-Frederic
Schnyder, Ene
-Liis Semper, Andres Serrano, David Shrigley, Daniel Spoerri, Karl Stauffer-Bern,
Paul Thek, Rosemarie Trockel, Kon Trubkovich, Gavin Turk, Francis Upritchard,
Edouard Vallet, Felix Vallotton, Jan Vercruysse, Andy Warhol, Joel-Peter
Witkin, Remy Zaugg.
Catalogue:
Six Feet Under.
Autopsie unseres Umgangs mit Toten / Autopsy of our Relation to the Dead
Edited by Kunstmuseum Bern and Kerber Verlag, Leipzig/Bielefeld
Texts by Elisabeth Bronfen, Bernhard Fibicher, Matthias Frehner, Susanne Friedli,
Thomas Macho, Helga Lutz, Regula Tschumi, Hans Christoph von Tavel. German and
English. 224 pages, 27,2 x 21 cm.
Press Relations Officer: Ruth Gilgen, Tel. +41 31 328 09 19, ruth.gilgen@kunstmuseumbern.ch
Press Conference on October 31, 2006, 10 am
Opening on November 1, 2006, 6.30 pm
Kunstmuseum Bern
Hodlerstrasse 8-12 - Bern