Stardust
Stardust
Andrea Meislin Gallery is pleased to present Stardust, the first exhibition of work
by Jean-Christian Bourcart at the gallery and Bourcart's first solo exhibition in
New York since 2002. The exhibition, which will consist of twenty-one photographs
and a video installation, opens January 18 and will run through March 3, 2007. A
reception for the artist will be held on Thursday, January 18 from 6-8 pm.
For years Jean-Christian Bourcart has been invading personal and private spaces with
his camera. He took pictures in brothels (Infertile Madonnas, 1992), in swingers
clubs (Forbidden City, 1998-2001), and photographed unknowing people stuck in
traffic jams through the reflections of the windshields (Traffic, 1999-2003). In
Collateral (2005) Bourcart projected photographs of Iraqi victims on houses,
churches and supermarkets in Upstate New York. In his latest body of work, Stardust,
Bourcart, playing again with layers of meaning, continues his exploration of what
constitutes an image: a significant surface that provides space for interpretation.
Going to the cinema early in the morning and looking for empty theaters, Bourcart
photographed the small window that separates the projection room from the public
space. The resulting images produced by the beam of light partially stopped by the
glass vary in form and clarity, but none resemble t he crisp, colossal movie stars
that appear on the big screen. Although they depict scenes from contemporary
Hollywood hits such as "Mr. & Mrs. Smith" and "Casino Royale," all one can decipher
from the Stardust pictures is the actor's silhouette or maybe a bit of human
interaction. Instead, what is seen in true detail are scratches, dust particles, or
fingerprints on the glass, and occasionally the metal projector from which the image
is born. With a background and experience in film as well as photography, Bourcart
here addresses the central issue of the relationship of form and surface. As the
artist puts it, "maybe this is close to a newborn's image of his parents bending
over the crib. This image is captured so close to its source that it exists as a
quasi-image, something primordial, like a sonogram of the film; histories are
dissolved, stars become shadows or stains of light. Abstraction wins over Hollywood.
Vacuity steals the show and all is to be imagine d anew." A short video made in
collaboration with Marina Berio emphasizes Bourcart's performative gesture of
looking towards the origin of the spectacle rather than towards its completion,
suggesting that all representation is an illusion.
Jean-Christian Bourcart was born in Colmar, France and has spent much of his career
working in Paris. In December 2006, he was awarded the first Les Prix Photo du Jeu
de Paume and will have his work exhibited at the Musee du Jeu de Paume site Hotel
Sully in April 2007. Bourcart's work has been exhibited internationally and is
included in the collections of the Musee d'Art Moderne et Contemporain, Geneva;
Maison Europeene de la Photographie, Paris; and the Museum of Modern Art, New York.
He currently lives and works in New York City.
For more information, please contact the gallery at (212) 627-2552 or
info@andreameislin.com
Andrea Meislin Gallery
526 West 26th Street, Suite 214 - New York
Gallery Hours 10 AM to 6 PM, Tuesday - Saturday