Fondation de l'Hermitage
Lausanne
Route du Signal 2
+41 021 3205001 FAX +41 021 3205071
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Belgium unveiled
dal 24/1/2007 al 27/5/2007
Tuesday to Sunday, 10 a.m. to 6 p.m., Thursdays 10 a.m. to 9 p.m.

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Fondation de l’Hermitage



 
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24/1/2007

Belgium unveiled

Fondation de l'Hermitage, Lausanne

From Impressionism to Expressionism. A comprehensive overview of Belgian painting at the end of the 19th century, highlighting the seminal 'XX' and 'Libre Esthetique groups' which, within just three decades, saw Belgian artists emerging among the most innovative of Europe’s avant-garde. With over a hundred paintings and drawings, the exhibition reveals the outstanding painters of this period, revolving around the main movements which left their mark on those crucial years: Impressionism and Neo-Impressionism, Symbolism and Expressionism. Curated by William Hauptman.


comunicato stampa

From Impressionism to Expressionism

Curated by William Hauptman

The Fondation de l’Hermitage is presenting the first exhibition in Switzerland to offer a comprehensive overview of Belgian painting at the end of the 19th century, highlighting the seminal ‘XX’ and ‘Libre Esthe'tique’ groups which, within just three decades, saw Belgian artists emerging among the most innovative of Europe’s avant-garde. With over a hundred paintings and drawings, the exhibition reveals the outstanding painters of this period, revolving around the main movements which left their mark on those crucial years: Impressionism and Neo-Impressionism, Symbolism and Expressionism.

All the wealth and variety of artistic production in Europe
The Fondation de l’Hermitage already paid homage to 20th century Belgian art in 1987 with an exhibition devoted to Magritte. In 1998, Pointillism. In Seurat’s Footsteps also included works by several Belgian painters, notably Lemmen and Van Rysselberghe. Belgium unveiled, from Impressionism to Expressionism is yet another stage in its exploration of the great Western artistic movements of the 19th century. The exhibition curator is American art historian William Hauptman, author of the catalogue raisonne' on Charles Gleyre, who has worked with the Fondation de l’Hermitage on several major events such as The Golden Age of English Watercolours (1999), American Impressionism (2003) and Impressions of the North. Scandinavian Painting (2005) which gave so many visitors the opportunity of discovering all the wealth and variety of artistic production in Europe and across the Atlantic.

From the group of "Les XX " to The "Libre Esthe'tique"
Established in Brussels in 1883 and led by Octave Maus, the group of ‘Les XX’ was to have a remarkable impact on late 19th century Belgian art for more than ten years by introducing the major tendencies in contemporary international art. At odds with the mainstream, the circle encouraged new talents at its annual Salons and, among its members, included artists such as Anna Boch, James Ensor, Fernand Khnopff, Fe'licien Rops, Henry Van de Velde and The'o Van Rysselberghe. The ‘Libre Esthe'tique’ association, which took over in 1894, continued to organise modern and independent art exhibitions right up to the onset of the First World War. Thanks to these two unique and committed groups, the Belgian art scene changed completely. Within a generation, painters became the forerunners of the international artistic avant-garde, while developing a style which reflected their own particular identity and sensitivity, as in the enigmatic Portrait de Marguerite, painted by Khnopff in circa 1887, whose disturbing strangeness and melancholy pay tribute to the exceptional accomplishment of Belgian painting during those essential years in the history of modernity.

The forerunners of the international artistic avant-garde
Among artists at the core of the exhibition : Anna Boch, Emile Claus, William Degouve de Nuncques, Jean Delville, James Ensor, Henri Evenepoel, William Alfred Finch, Le'on Fre'de'ric, Fernand Khnopff, Georges Le Brun, Georges Lemmen, Xavier Mellery, The'o Van Rysselberghe, Fe'licien Rops, Le'on Spilliaert, Henry Van de Velde. The works come from major public Belgian collections such as the Koninklijk Museum voor Schone Kunsten in Anvers, the Muse'e d’Ixelles and the Muse'es royaux des Beaux-Arts de Belgique in Brussels, the Groeninge Museum in Bruges, the Muse'e d’Art moderne et d’Art contemporain de la Ville de Lie'ge, as well as the Museum voor Schone Kunsten in Ostende. The Petit Palais in Geneva, the Kunstmuseum in Basel and the Muse'e d’Orsay in Paris and many private collections in Belgium, France and Switzerland have also supported this exhibition with their loans.

Image: James Ensor. Les masques intrigue's, 1930.

Opening: january 25, 2007

Fondation de l’Hermitage
2, route du Signal - Lausanne
Hours: Tuesday to Sunday, 10 a.m. to 6 p.m., Thursdays 10 a.m. to 9 p.m. Open on Easter Monday, April 9, 2007 and on Whit Monday, May 28, 2007 10 a.m. to 6 p.m.
Admission: Adults: CHF 15, Seniors: CHF 12, Students: CHF 7 Free under 18, Reduced prices for groups

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