Architecture & Crime. The fear evoked by real or only imagined crime is reflected in innumerable preventive constructional, architectural and town planning measures: Fortification against the enemies outwardly, control architectures against the enemies from inside. Project administration: Michael Zinganel. Thursday 18th of October 7 p.m. Exhibition openings: Architecture and Crime - 'Scenes'.
Architecture & Crime
Crime does not pay! Wrongly, writes Karl Marx, crime pays off certainly? not
always for the criminal or his victim, probably, however, for the
society. According to Marx the criminal produces not only the crime, but
also all measures been directed against the crime. He produces the
police, the criminal law, the criminal justice and the prison, but as
well all forms of criminal coverage: whether in the "fine arts", in
literature and theatre, in scientific publications or in mass media. The
fear evoked by real or only imagined crime is reflected in innumerable
preventive constructional, architectural and town planning measures:
Fortification against the enemies outwardly, control architectures
against the enemies from inside.
Project administration: Michael Zinganel
Thursday 18th of October 7 p.m. Exhibition openings
Architecture and Crime - 'Scenes'
An installation of evidences for the productive force of the crime for
the development of safety engineering, architecture and urban
development in the categories S(mall), m(edium), l(arge) and XL(arge)
Duration of the exhibition: 19th of October to 11th of November. 2001,
Tuesday to Sunday 2 - 6 p.m., Thursday 2 - 8 p.m.
Thursday 18th of October 9 p.m.
Live TV-show architecture and crime - ' the Process'
Artistic indications for the productive force of the crime in a set
after "Aktenzeichen XY" (Prime Crime or The Ten Most Wanted) with star
guests from art, architecture and criminology, presented by Michael
Zinganel: Jochen Becker.
URBAN CONTROL #1
Belfast from here
The civil war-like siege of Northern Ireland stands for an aggressive
model of urban control ? fixed in stone. The lines of conflicts in
Belfast are marked quite clearly. There are obviously divided
residential areas - mostly of the working class or, rather, of the
unemployed class - as well as mixed terrain (shopping city centre,
entertainment district, university quarter, residential areas). In
addition office complexes are sealed off by fences and security guards
just opposite the shipyard which had built the Titanic and now are close
to bankruptcy.
The separatism in Northern Ireland, manifested into stone, is a state
architecture whose correspondences seem >here< much more unrecognizable.
This formulates itself in establishing legal borders, sociopolitical
bulwarks and daily phantasmas of normality.
Project administration: Jochen Becker
Thursday 18th of October 7 p.m.
Urban Control #1 'Material Outlet'
Documents and exhibits with participation from: Belfast Exposed,
Catalyst Arts, Flaxart Studios, grassy knoll productions, Source
magazine, etc.
Duration of the exhibition: 19th of October to 11th of November. 2001,
Tuesday to Sunday 2 - 6 p.m., Thursday 2 - 8 p.m.
Friday 19th of October 2 p.m.
Guided tour ' Belfast in Graz '
with Joachim Hainzl, Clio - association for historical and educational
work.
Meeting place: Forum Stadtpark
Saturday 20th of October 2 p.m.
Symposium 'Art Practice & Urban Politics'
with guests and cultural initiatives from Belfast: Belfast Exposed
(Pauline Hadaway, Karen Downey), Catalyst Arts (Stephen Hackett),
Flaxart Studio (Aisling O'Beirn), grassy knoll productions (Eoghan
McTigue), Source magazine (Richard West, John Duncan), Daniel Jewesbury
and Michael Zinganel.
Saturday 20th of October 9p.m.
Film program ' Truth & Reconciliation '
Frances Reid / Deborah Hoffmann ' Long Night‘s Journey into Day '
FORUM STADTPARK
Stadtpark 1
A - 8010 Graz
Tel: +43/316/827734
Fax: +43/316/82773421