International ArtExpo Collection. Faithful to its compromise with emerging and transgressive art, BAC! dedicates its eighth edition to the great contemporary city of Babylonia. In this world of globalization, countries are identified by their cities as settings of the daily confluence of millions of people. Phenomena such as global migration, socio-cultural interaction, art, fashion, new technologies, gastronomy, alongside with a growing loneliness and depersonalization, have fed a new urban model based on an exhausting rhythm of life.
Faithful to its compromise with emerging and
transgressive art, BAC!, the Contemporary
Art Festival of Barcelona, dedicates its eighth
edition to the great contemporary city of
Babylonia.
Barcelona, Madrid, Valencia, Paris, Rome,
Santiago de Chile, Sao Paolo, Hong Kong,
Miami…
In this world of globalization, countries are
identified by their cities as settings of the daily
confluence of millions of people. Phenomena
such as global migration, socio-cultural
interaction, art, fashion, new technologies,
gastronomy, alongside with a growing
loneliness and depersonalization, have “fed”
a new urban model based on an exhausting
rhythm of life.
From November 26 until
December 20, 2007, various spaces in and
outside Barcelona will become fields of
multidisciplinary artistic proposals. Through
murals, photographs, videos and installations,
the artists will present their statements on
the central theme of this edition, establishing
a parallelism between the great variety of
cultures that emerged in ancient Babylon and
the chameleonic character of the
contemporary city.
As always, the central statement of the Festival
(BAC!CENTER) will take place at the Centre
of Contemporary Culture in Barcelona (CCCB).
In this edition, the show draws special
emphasis to photography, mural and graffiti
-the last two artistic disciplines born and
raised in the streets. The exhibition, which
celebrates its official opening on November
26, features acclaimed artists such as Michael
Wolf, Virgilio Ferreira, Seb Janiak Andrew
Lang, Ai Kijima, Mariana Vassileva, Cesar
Pesquera, Victor Castillo, Diva, Eduardo Infante
and Delphine Delás.
On the other hand, video art maintains its key
role as the parallel main protagonist of the
show. This year BAC!CAM has been born as
a special section dedicated to this
contemporary artistic genre exhibited in four
sections. CAM CENTER presents works
selected from those participating in the
Festival’s competition, while CAM REDES is
dedicated on the exhibited videos of the distinct
art spaces that form BAC! REDES. AFTER
URBAN, curated by Luca Curci, features a
selection of the contemporary emerging video
art creation, while GLOCALIDADES, curated
by Angie Bonino, consists of a selection of
Peruvian video art. Moreover, the Sala SAM
from Santiago de Chile presents especially
for BAC “Circuit” a show of global video-art
by Valentina Serrato, Nycoukatiushka, Nicolás
Grum, and Mauricio Garrido. These videos
will be also screened in CCCB during BAC!
CENTER.
Following a model initiated in BAC! 06 and
focused on video and multimedia art, REDES
is based on the premise of creating a
community representative of the most novel
artistic configurations on a national and an
international level. REDES will expand BAC!
BABYLON 07 over Barcelona, with a list of
new galleries added to last year’s entries.
BAC! 07 will occupy a total of 11 exhibition
spaces in the city, among which are Iguapop
Gallery, Comité, Galería Niu, La Cámara
Lúcida, Rojo Artspace and OB ART. Outside
Barcelona, BAC! 07 is celebrated for the
first time in Madrid, in Valencia, Granada
and Castellon. In Madrid, AVA Gallery
presents the group show “Babylon”, counting
on the presence of artists such as Ouka
Lele, Rita Martorell, José María Mellado,
Rafael Garcia, Diego Canogar, Álvaro
Villarumbia, Mr. Hierro and John Hughes. In
addition MAD is MAD presents Andrés Jaque
in an interactive one man show under the
title “Skin Gardens”. In Valencia, La Sala
Naranja features Juan Rayos, Beatriz
Sánchez Sánchez, Ho Wai-Fong, Carlos
Llavata, Pere Siusa, Koke Vega and Id Mora.
But BAC breaks the national frontiers. Paris
(Gallerie Milyeux 89 and Mex-Parismental),
Rome (Zoneattive), Verona (Artericambi),
Bologna (Grafique Art Gallery), Lecce (Primo
Piano Living Gallery), Santiago de Chile
(Balmaceda 1215, AFA, and SAM), Montevideo
(Harto-Espacio) and Charro Negro
(Guadalajara, Mexico) become partners of
this special alliance.
Some of the best Art and Design Schools
of Barcelona are mobilized for BAC!. The
Instituto Europeo de Diseño (Vetrina IED)
presents video creations of its students,
while the IDEP School of Design reflects on
the problems of housing with a patchwork
of thirty square metres.
One the other hand, BAC! BABYLON 07
expands and renovates its structure by
strengthening its content with a series of
conferences whose interactive discourse
among artists, curators, theorists and the
general public will act as generator of a
BAC! 07. VIII Ediction.
International Festival of Contemporary Art in Barcelona.
dialogue on culture and contemporary art.
Four conferences will open a reflexion space
on the current phenomena predominating in
contemporary cities. The Derivart collective
will participate with an interactive Project on
the problem of housing, Erick Hauck will give
a speech on Urban Art as Resistance to War,
the architect Willy Müller will offer a thorough
analysis of the way we imagine the past that
we would live in the future and Santiago
Cirugeda will delight the public with his Urban
Recipes.
With the eighth edition of the Festival BAC!,
“La Santa”, New Space of Experimentation
and Contemporary Creation, pays homage to
its origins, the uncompromising art as it takes
shape in the streets, outside the margins of
institutional art. More than 100 artists and 25
spaces in different places in the world have
entrusted their projects to us, aspiring for
freshness, audacity and innovation.
Thanks to all those who have rendered
possible this eight edition of BAC!.
The eighth edition of BAC! Festival attempts
a radiography of modern Babylon, pointing at
its schizoid and frenetic existence. Unknown
neighbours, immigrants and fleeting passersby
alongside tourist buses, museums, clubs,
restaurants and afters. Cars and trains, traffic
and delays, contamination and noise. Fears
and joys, interferences and unexpected
fusions. Fictional design of prosperity versus
homeless people, illusions and disillusions. The
facades of the city do not always correspond
to the beats of the heart of all those who
inhabit their interiors.
In the same way as in anterior editions, BAC!
CENTER, the central proposal of the Festival,
assumes the weight of bringing ahead our
response in regard to the world that
surrounds us.
ÇBAC! Babylon. This year the participating
artists in the show have based their responses
on a sincere premise: look Babylon in the eyes,
this indulging but at the same time monstrous
siren that contains us. But, confronting oneself
with the city implies revelation and selfknowledge.
Despite its diversity, its
multiculturalism, religions, constantly changing
neighbours and exotic tastes, the principal
actors of the Babylon drama are always
ourselves.
In the exhibition, wall painting is converted
into a symbol of the ephemeron as created
on the walls, fences and panels of the city.
Condensing various genres into a single
medium, such as graffiti, illustration and
painting, an urban-like ambience is created
within the show. It is unlikely to imagine a
clean and disciplined city. The law of the street
is disorder…
On the other hand, photography serves to
demonstrate the tendency of the babylonic
global on various parts of this world, be it
New York, the metropolises of Asia or the
very same Barcelona. A panoramic format
predominates as if the insatiable vision of no
beginning or end were fully identified with life
in the big cities of today that never sleep.
There are also apocalyptic visions of the future
-hasn’t the city always been the best place of
the futuristic dreamful contemplation of the
arts?- neither symbolic visions of the growing
impersonalization and loneliness in the big
cities through deserted frames.
A series of audiovisual installations, alongside
four sessions of video art, complement the
rather static vision of photography as a
recollection of human experiences and artistic
experimentations lived in any corner of the
urban world. As if it was a satellite, BAC!
expands its gaze, configuring, thus, a virtual
map of the audiovisual creations that have
offered us artists and collectives in various
countries of the world. In this way, the great
community generated in the last edition with
UNITED BAC! 06 is steadily growing.
If some time in the past ancient Babylon
existed, now its remains -destroyed by the
bombs of war- are still afoot, serving as a
supplying base of military services. But its
heiress, the contemporary Babylons viewed
at their peak, exceed the limits of the
imagination of those who constructed the
Tower of Babel and the Hanging Gardens with
their hands. What margin is left to us to
imagine the future ahead? In their majority,
the participating artists in the show place
themselves with scepticism towards the
problematic characteristics of the city.
Multiculturalism, grand offers and good
restaurants coexist harmoniously alongside
social inequality, poorness, ghettos,
marginalization, housing and mortgage
problems. The effect of Babylon is desolating.
Sensible but at the same time
uncompromising, the artistic community of
BAC! 07 sends a proposal of resistance. It is
upon us, spectators, to stop, reflect and act.
By all means, the future of Babylon is in our
hands.
Behind the official image of BAC! 07 lies
Michael Wolf and his palimpsests of buildings
inspired by the complex urban dynamics of
Hong Kong, a city which with an overall
population density of 6.250 inhabitants per
square meters incarnates more than any
other metropolis of this planet the essence
of the chameleonic and grotesque Babylon.
Giant buildings with sixty floors on average
ascend towards the sky forming a
microcosmos in a city of macro cities. Soft
walls separate dining rooms, bedrooms and
living rooms of Lilliputian flats, whose lack of
space forces their owners to hang their
belongings outdoors.
In “Architecture of Density” Wolf registers
with his camera the invasion of privacy into
the public, by creating an abstract mosaic
of windows that brings together thousands
of intimate stories. His buildings are living
beings that breathe life, reminding us that
behind the walls of Babylon there will always
be a handful of souls. As in the case of Babel,
the towers of Asia speak on behalf of
thousand of mouths and languages. The
growing impersonalization and massification,
as dictated by the grand impetus of Babylon,
will never be able to defeat the lyric song of
humanity.
BAC! features for the first time in Barcelona
the work of German-American photographer
Michael Wolf (1954). After a long career as
photojournalist in Europe and Asia for
mediums such as Stern, Wolf decided in 2000
to canalize his energy to his personal works.
Since then he has developed various projects
revolving around the idiosyncrasy of Asian
metropolises, especially of Hong Kong, a city
that has been his home since 1994. His visual
universe questions the way in which human
beings are literally diminished by modern
progress, massification and industrialization.
Wolf has already published two monographs
and has realized various shows in Europe,
Asia and the States.
BAC’s official image comes form his most
recent book “Hong Kong: Front Door/ Back
Door”, published by Thames & Hudson in
2005. (Courtesy Fifty One Fine Art
Photography, Antwerp)
CCCB
Calle Montalegre 5 - Barcelona