Museo Nacional Centro de Arte Reina Sofía
Coordenadas y apariciones. The Brazilian artist combines that sensorial and interactive poetics with a personal universe in which allusions to surrealism or humour are frequent. His proposal for the museum consists of a series of interventions for the building's transit zones, thus avoiding the orthodox concept of the exhibition room and obtaining a direct conversation with the visitor outside the usual exhibition framework.
Since the early 1990s, Jose Damasceno (Rio de Janeiro, 1968), a Brazilian artist well-known on the current international scene, has been exhibiting work in institutions as important as the Museum of Contemporary Art , Chicago , Palais de Tokyo, Paris and the Museu da Arte Moderna, São Paulo , as well as at the Venice , São Paulo and Sydney Biennales.
Heir to the legacy that Helium Oiticica and Lygia Clark left to Brazilian art in the 1960s, Damasceno combines that sensorial and interactive poetics with a personal universe in which allusions to surrealism or humour are frequent. His proposal for the museum consists of a series of interventions for the building's transit zones, thus avoiding the orthodox concept of the exhibition room and obtaining a direct conversation with the visitor outside the usual exhibition framework.
Museo Nacional Centro de Arte Reina Sofia
Santa Isabel, 52 - Madrid