Tamy Ben-Tor
Marco Boggio-Sella
Tom Burr
Brian Clifton
Peter Coffin
Anne Collier
Donnie & Travis
Jeronimo Elespe
Dana Frankfort
Jonah Freeman
Sam Gordon
Wade Guyton
Tamar Halpern
Kent Henricksen
Matthew Higgs
Scott Hug
Daniel Lefcourt
Legion
Justin Lowe
Keith Mayerson
Kenric McDowell
Dave McKenzie
Sean Paul
Michael Phelan
Alexandre Singh
Patricia Treib
Justin Samson
Nolan Simon
Joshua Smith
Meredyth Sparks
A.L. Steiner
Dannielle Tegeder
Sara VanDerBeek
Michael Wetzel
Grant Worth
Group show. All the artists are NYC based and there is no singular theme except for the criteria of living andworking in New York post 9/11. Most of the works share a dark subtext that could be construed as something related to the paranoia, denial and mania that has absorbed the city for the last six years.
assume vivid astro focus, Tamy Ben-Tor, Marco Boggio-Sella, Tom Burr, Brian Clifton, Peter Coffin, Anne Collier, Donnie & Travis, Jeronimo Elespe, Dana Frankfort, Jonah Freeman, Sam Gordon, Wade Guyton, Tamar Halpern, Kent Henricksen, Matthew Higgs, Scott Hug, Daniel Lefcourt, Legion, Justin Lowe, Keith Mayerson, Kenric McDowell, Dave McKenzie, Sean Paul, Michael Phelan, Alexandre Singh, Patricia Treib, Justin Samson, Nolan Simon, Joshua Smith, Meredyth Sparks, A.L. Steiner, Dannielle Tegeder, Sara VanDerBeek, Michael Wetzel, and Grant Worth
A New High In Getting Low (NYC) is an expanded version of an exhibition that was first shown at Artnews Projects in Berlin in October 2007. All the artists in both exhibitions are NYC based and there is no singular theme except for the criteria of living andworking in New York post 9/11. Most of the works share a dark subtext that could be construed as something related to the paranoia, denial and mania that has absorbed the city for the last six years. There have been many dramatic shifts in New York (and the New York art world) since the fall of 2001, and many of these artworks can be read as a reaction to these changes.
The choice of the title "A New High In Getting Low" (itself a corrupted version of the name of one of the artworks in the show) references not only an ongoing dialog between the polarities of high and low art, but also the cultural and social highs and lows that find a convenient metaphor in popular drug culture. The terminology can also opportunely be applied to the current American political and economic realities. For example, the current international perception of the United States has arguably reached an all-time low, the value of the dollar abroad continues to fall and the instability in the national economy has almost daily reverberations worldwide. This exhibition in many ways offers a glimpse into a contemporary cultural climate feeling the after effects of unprecedented dramatic political and economic shifts in America.
Opening: Saturday, February 23 6 - 8 pm
John Connelly Presents (JCP)
526 West 26th Street - New York