Delaye Saltoun
London
11 Savile Row
+44 (0)20 72871546
WEB
John Latham
dal 27/2/2008 al 10/4/2008

Segnalato da

Rhiannon Pickles


approfondimenti

John Latham



 
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27/2/2008

John Latham

Delaye Saltoun, London

The Spray Gun And The Cosmos. A lost collection of 15 paintings. The works, all from the 1950s, form the inaugural exhibition at the new London gallery focusing on Post War art. Latham achieved notoriety for his work Still and Chew, which involved chewing, spitting and subsequently distilling a seminal book on art theory by the critic Clement Greenberg.


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A lost collection of fifteen spray-gun paintings by John Latham (1921 – 2006) is to be exhibited publicly for the first time in fifty years. The works, all from the 1950s, will form the inaugural exhibition at Delaye Saltoun, a new London gallery focusing on Post War British and international art.

John Latham has become increasingly recognized as one of the most radical and influential British artists of the second half of the 20th century. Belonging to no specific movement, Latham opened a vast range of possibilities to the British avant-garde. He achieved notoriety for his work Still and Chew ( coll. Moma, New York), which involved chewing, spitting and subsequently distilling a seminal book on art theory by the critic Clement Greenberg. His influence on the subsequent generation of artists, from Richard Hamilton to the YBA’s is considerable and he has been consistently acknowledged as a father figure to the current avant-garde.

Latham’s practice was highly experimental; he was an artist fascinated by the fusion of science with artistic intuition. Central to Latham’s work of the 1950s was the theory that the most basic component of reality is not the particle (as stated in classical physics), but the least-event, defined as a fundamental unit of time, representing state zero for the cosmos and for painting. Producing a single burst of dots on a white surface, his spray-gun paintings function as a visible description of this theory.

Latham called his spray-gun paintings ‘process sculpture’. They form the genesis of his later work and define his visual language. As a body of work their radicalism is demonstrated by what is considered to be the first use of the spray-gun in fine art. These paintings led ultimately to the one-second drawings of the 1970s. This exhibition showcases a hugely innovative and significant body of work that is yet to be properly examined.

This collection of 15 paintings was first exhibited in the mid-fifties at the Obelisk Gallery in London. They were subsequently sold at the Six Bells pub in Chelsea in the late 60’s and have not been seen since.

This will be the first London exhibition since Latham’s controversial display at Tate Britain in 2005 and the first since the artist’s death.

Editors’ Notes
Delaye Saltoun will focus on British and International Art from 1950 to the present day.
Forthcoming shows include Mark Boyle, Colin Self and Robyn Denny.
Each show will benefit from in-depth historical research, present video archives and will stimulate debate in the form of study days with guest speakers and scholars specializing in that field.
The program will develop to include young contemporary artists.
Delaye Saltoun is located on the first floor of a classic Georgian building on Savile Row in central London.
The directors are Laurent Delaye and Richard Saltoun.

For images or further information please contact Rhiannon Pickles PR w: +44 20 7096 8809 rhiannonpickles@mac.com

Opening and gallery launch: 28th February, 6.30pm – 8.30pm

Opening Hours:
Wednesday to Friday 11am-6pm
Saturday 11am-3pm

IN ARCHIVIO [1]
John Latham
dal 27/2/2008 al 10/4/2008

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