Sprengel Museum
Hannover
Kurt Schwitters Platz
+49 (0)511 16843875 FAX +49 (0)511 16845093
WEB
The Strongest Expression
dal 8/12/2001 al 10/3/2002
+49 511 168 - 4 38 75 FAX +49 511 168 - 4 50 93
WEB
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Sprengel Museum


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Christian Fuhrmeister



 
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8/12/2001

The Strongest Expression

Sprengel Museum, Hannover

...Of Our Time. New Objectivity / Neue Sachlichkeit in Hanover. The time has come to re-evaluate the Hanover artists of the 'New Objectivity' movement, who, until now, have been examined from an entirely local perspective. They should be placed in a wider context and with the insights recent research provide. The Strongest Expression Of Our Time" show will encompass more than 300 oil paintings and works on paper.


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...Of Our Time"
New Objectivity / Neue Sachlichkeit in Hanover

The time has come to re-evaluate the Hanover artists of the "New Objectivity" movement, who, until now, have been examined from an entirely local perspective. They should be placed in a wider context and with the insights recent research provide.

"The Strongest Expression Of Our Time" were the words Grethe Jürgens used in 1932 to characterise the simple clarity with which social commentary appeared as images of workers, average people and those who had lost their social positions in Hanover of the mid-1920s. Several artists born around 1900, including Friedrich Busack, Grethe Jürgens, Hans Mertens, Gerta Overbeck, Karl Rüter, Ernst Thoms and Erich Wegner, formed a loose group of artists in the provincial capital.
It has been more than a quarter of a century since the last extensive exhibition of these works was mounted (at the Kunstverein Hannover). This would suffice as a reason to re-examine the most significant pieces from a 21st century perspective and to compare them with images by their contemporaries such as Dix, Grosz, Radziwill, and Schad. "The Strongest Expression Of Our Time" show will encompass more than 300 oil paintings and works on paper.

The unique elements of the Hanover group have rarely been examined. Abstraction, Constructivism and Merz were strong influences on these artists. This expresses a tendency away from the post- expressionism of the early 1920s towards clear repesentationalism that is different from developments in other centres of "New Objectivity", such as Munich, Karlsruhe, Cologne, Berlin and Dresden.

The exhibition will not only include familiar works; recent acquisitions by the Sprengel Museum Hannover will be shown as well, including previously unknown pieces.
Additional works come from more than 50 private collections, much of which has not been previously available to the public. The catalogue (in addition to the documentation in the show) provides thorough research as well as art historical and theoretical essays by significant experts, full of new insights into what is a complex phenomenon.

Another important aspect of the exhibition is the convenient myth of a watershed in 1933.
"New Objectivity", in Hanover and further afield, was not always branded as "Degenerate Art"; on the contrary, it was celebrated as the "New German Romanticism". Many painters included in this movement, and not only Hanover artists (such as Adolf Wissel and Bernhard Dörries), exhibited extensively during the Nazi period in the 1930s. Other representatives also participated in exhibitions during this period and Thoms and Rüter were even in the infamous "Great German Art" exhibition in Munich.
The question here is: to what extent were "New Objectivity" and Nazi painting the same or different? These issues have not been discussed in the context of Hanover, or they were carefully kept secrets. New insights into these works can be found by evaluating them in both a historical and cultural manner.

The exhibition is sponsored by the Niedersächsische Sparkassenstiftung and Stadtsparkasse Hannover.

Catalogue 44 DM (22.50 EUR)

Opening: 9 December, 11.15 a.m.

Welcome: Prof Ulrich Krempel
Introduction: Dr Christian Fuhrmeister

For further information, please contact:
Curator: Christian Fuhrmeister
T +49 (0) 511 168 - 4 46 42

Press and public relations:
Michael Quasthoff
T +49 (0) 511 168 - 4 39 24
F +49 (0) 511 168 - 4 50 93

Opening Times
Open Easter Sunday and Easter Monday, Day of Ascension (Fathers' Day), Whitsun and Whitsun Bank Holiday Monday, as well as Day of German Reunification (3 Oct.): 10 a.m. - 6 p.m.
Closed on New Year's Eve and New Year's Day, Good Friday, May 1, Christmas Eve and Christmas Day

Collections and Temporary Exhibitions
Tuesdays: 10 a.m. - 8 p.m.
Wednesday to Sunday: 10 a.m. - 6 p.m.
Closed on Mondays

Entrance Fees
The Museum's Collections:
Day ticket: 7 DM (3.58 Euro), concessions: 3.50 DM (1.80 Euro)
Group ticket: over 10 persons, per person: 4.50 DM (2.30 Euro),
concessions: 2.50 DM (1.30 Euro)
Temporary exhibitions:
8 DM (4.09 Euro), concessions: 5 DM (2.56 Euro)
Collections and temporary exhibitions:
Annual ticket: 60 DM (30.68 Euro), concessions: 30 DM (15.34 Euro)
Day combined-ticket, also for families and small groups (on request)
Free entrance for children 12 and under

Sprengel Museum Hannover,
Kurt-Schwitters-Platz, 30169 Hannover
Phone +49 511 168 - 4 38 75, Fax +49 511 168 - 4 50 93
Education and Communication:
Phone +49 511 168 - 4 46 46
How to find us:
Bus 131 from Kröpcke or taxi from the main railway station

IN ARCHIVIO [32]
Ilya Kabakov
dal 28/1/2012 al 28/4/2012

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