BAFTA
London
195 Piccadilly
02074370473 FAX 02074370473
WEB
BAFTA
dal 9/1/2002 al 31/1/2002
02072925802 FAX 02074370473
WEB
Segnalato da

Amy Minyard



 
calendario eventi  :: 




9/1/2002

BAFTA

BAFTA, London

Bloody Sunday: Screening and Discussion. Bloody Sunday charts the events of just one day in Northern Ireland -January 30, 1972 - a turning point in The Troubles, which drove many young men into the ranks of the IRA and fuelled a 25-year cycle of violence. Tonight at 7.00 pm.


comunicato stampa

Thursday 10 January
7.00pm, BAFTA, 195 Piccadilly
Bloody Sunday: Screening and Discussion

BLOODY SUNDAY charts the events of just one day in Northern Ireland - January 30, 1972 - a turning point in The Troubles, which drove many young men into the ranks of the IRA and fuelled a 25-year cycle of violence. Leading the cast is Northern Irish actor James Nesbitt, who plays civil rights activist and MP Ivan Copper. A Q & A with Writer/Director Paul Greengrass will follow the screening.

Tickets are free, if you would like to attend this event please email.

Monday 14 January
7.00pm, BAFTA, 195 Piccadilly
57 Channels and Nothing On?
The Elusive Teenage Audience

With channels such as Trouble, Sky One, E4 and BBC Choice all battling it out for a younger audience, who will win? Almost a year since the launch of E4, how has this changed the market. Will Stuart Murphy win permission to turn BBC Choice into BBC3, and what dynamic will this add to the already tough competition.

Confirmed speakers include Danielle Lux, Controler E4, Lisa Opie, Executive Vice-President of Flextech Channels (Trouble, Bravo) and Kate Marsh, Deputy Director of Broadcasting and Production, Sky One. The session will be chaired by Michael Attwell, Deputy Chair of the Academy.

Tickets are free, if you would like to attend this event please email.

Tuesday 22 January
6.30pm Drinks Reception
7.00pm Event
BAFTA, 195 Piccadilly

Management Masterclass in Association with Andersen
David Docherty
Managing Director, Broadband Content
Telewest

David Docherty is MD Broadband Content at Telewest. Previously he was Director of New Services and Deputy Director of Television at the BBC, where he was a member of the Board of Management.

David Docherty's name pops up in virtually every list of likely candidates for top jobs in British Television, but what David spends his time speculating about is how to harmonise the gaming and television cultures. In his crusade to make the television industry dinosaurs listen to the next generation, he is not asking them to follow each new trend, but rather to learn from creative minds raised with a different aesthetic. In this way Broadband content will be able to move out of the three "ings" of interactive media, as he describes them "voting, betting, and masturbating."

Tickets are free, if you would like to attend this event please email.

Tuesday 22 January
6.30pm, BAFTA, 195 Piccadilly
Kabhi Khushi Kabhie Gham

Yash Raj Films
Dir/Scr: Karan Johar
With: Amitabh Bachchan/Shahrukh Khan/Hrithik Roshan/Jaya Bhaduri

If you would like to attend this screening please email with your full name.
Tickets will not be issued but your name will be added to the guest list.

Thursday 31 January
7.00pm, BAFTA, 195 Piccadilly
Short-cuts to Screen
SHORT-CUTS TO SCREEN, will examine the distribution/exhibition minefield, both for those wishing to use their short as a calling-card and those entering the world of features. A key panel of high-profile, industry practitioners such as Robert Jones will discuss how to maximise your distribution appeal and look at ways of overcoming the traditional difficulties of marketing films with culturally diverse themes. The session will be followed by a reception, where the discussions can continue one to one.

Produced by Amma Asante

BAFTA Members, Free; Non Members, £10.
To book a ticket please email stating whether or not you are a BAFTA members.
Tickets can be collected on the night of the event.

BAFTA
The British Academy of Film and Television Arts
195 Piccadilly, London W1J 9LN
020 7292 5802

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Pushing the Envelope
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