Diana Cooper
Ann Course
Judith Dean
Fieroza Doorsenm
Mark Fraser-Bett
Richard Galpin
Sophie Lascelles
Sara MacKillop
Jamie Pitarch
Ben Ravenscroft
Jane Wilbraham
Sarah Woodfine
The outer limits of drawing! Hales Gallery’s first exhibition of 2002 ‘By Hand’ takes as it’s theme, the notion of the expanded perimeters of drawings conventions. The borders are now open to all would be members of the drawing fraternity some of whom may never have wielded a pencil, pen or crayon in their lives. The works in this show have been selected with an instinct for the soul and essence of drawing.
The outer limits of drawing!
Hales Gallery’s first exhibition of 2002 ‘By Hand’ takes as it’s theme, the notion of the
expanded perimeters of drawings conventions.
The borders are now open to all would
be members of the drawing fraternity some of whom may never have wielded a pencil,
pen or crayon in their lives.
The works in this show have been selected with an instinct
for the soul and essence of drawing.
Diana Cooper’s abstract meanderings rendered in marker pen and paint on paper
allude to architectural detail, geological formations and even town planning!
Ann Course’s animations and wooden sculpture are surreal and full of humour and
have emerged from years making simple pencil sketches.
Judith Dean’s framed plaster dice and pencil shaker frames allow the drawings to
make themselves. Each being a subtle pun on chance and order.
Fieroza Doorsen’s simply painted patterns on book pages create interplay between
decoration and meaning.
Mark Fraser-Bett’s delicate line drawings of his friends posed as characters from
science fiction films are both awkward and delicate at the same time.
Richard Galpin’s ‘urbanscape’ photographs are worked upon with a knife so as to
remove all superfluous material and present us with thumbnail sketches. Each piece
invites the eye to leap between the various elements filling in the detail.
Sophie Lascelles’ ghostly super 8 loop captures the operation of an earlier period of
film making as a tiny vingette of a walking woman.
Sara MacKillop’s subtle constructions made from charity shop finds present us with
interplays on both a formal and poetic level.
Jamie Pitarch’s simple line drawings are deceptive. They have the appearance of
cartoons but are in fact drawn around newspaper images.
Ben Ravenscroft’s oil sketches hint at the possibility of a larger work being produced
from these originals, whilst leaving the status of them ambiguous.
Jane Wilbraham’s corrugated cardboard sculptures of text and images found on the
streets of South East London have a back to basic ‘down home’ charm.
Sarah Woodfine’s polished, worked up pencil drawings attempt to plunder the unified
qualities of surface possible in oil paintings whilst retaining the vestiges of conventional
drawing techniques.
For further information and visuals please contact Ella Whitmarsh on 020 8694 1194.
Hales Gallery
70 Deptford High Street
London SE8RT
T: 44 0 20 8694 1194
F: 44 0 20 8694 0471