Athens Academy SEEDs Club
Bill Bahmermann
Stephen Barnwell
Morgan Craig
John English
Jesse Epstein
Craig Fisher
Christoph Gielen
Krysia Haag
Isaac King
Mindy Kober
Terri Lindbloom
David Macaluso
Franklyn Peterson
Sarah Nicole Phillips
Christopher Rose
Holt Webb
Bart King
The Fossil Fuel Addiction. The United Nation's Intergovernmental Panel on Climate Change has said emissions of greenhouse gases - released when fossil fuels are burned - must peak and begin to decline within ten years if the planet is to avoid the worst effects of global climate change. This exhibit is designed to to raise awareness of this critical issue. From apocalyptic images of a drowned planet to the promise of future energy sources, these 17 artists address this pressing issue with passion, humor and urgency.
Curated By Bart King
Participating Artists
Featured Artist: Christoph Gielen from New York City / Bonn, Germany
Athens Academy SEEDs Club (Athens, GA), Bill Bahmermann (Philadelphia, PA), Stephen Barnwell (NY, NY), Morgan Craig (Philadelphia, PA), John English (Athens, GA), Jesse Epstein (NY, NY), Craig Fisher (Toledo, OH), Christoph Gielen (New York City/Bonn, Germany), Krysia Haag (Athens, GA), Isaac King (Toronto, ONT), Mindy Kober (Houston, TX), Terri Lindbloom (Tallahassee, FL), David Macaluso (Brooklyn, NY), Franklyn Peterson (Madison, WI), Sarah Nicole Phillips (Brooklyn, NY), Christopher Rose (Brooklyn, NY) and Holt Webb (Alpharetta, GA).
Athens Institute for Contemporary Art is pleased to announce our
30th exhibition, Running on Empty, an examination of fossil fuel
dependence that runs from Saturday, January 31 through Sunday, March 22,
2009. The United Nation’s Intergovernmental Panel on Climate Change has
said emissions of greenhouse gases--released when fossil fuels are
burned--must peak and begin to decline within ten years if the planet is
to avoid the worst effects of global climate change. Delegates from 186
countries around the world are currently engaged in precarious
negotiations to craft an international treaty by the end of 2009 to make
this happen. President-elect Obama says he is committed to taking
international leadership on the issue, whereas the current administration
has done nothing. And the American public finally seems to be waking up to
this global threat, as evidenced by the popularity of recent films such as
An Inconvenient Truth and Wall-E.
With this exhibit, ATHICA hopes to raise awareness of this critical issue.
From apocalyptic images of a drowned planet to the promise of future
energy sources, the Running on Empty artists address this pressing issue
with passion, humor and urgency. Our featured artist is international
photographer Christoph Gielen, whose aerial photography reveals hidden
geometries in the sprawling subdivisions and spaghetti junctions that are
partly responsible for the steep increase in greenhouse gas emissions over
the last half-century. Their stunning compositions and intense details
bring a concrete reality to the concepts of energy production and
consumption. (www.christophgielen.com). ATHICA has been endeavoring to
bring Mr Gielen’s work to Northeast Georgians for more than three years.
The exhibit, which includes photography, print, large-scale painting,
mosaic, video, presents the work of 17 artists and groups, drawn from more
than 50 submissions from across the U.S., South America, Europe and Asia.
Athens’ artists include John English, Krysia Haag and the Athens Academy
SEEDs club (led by local artist and teacher Lawerence Stueck), all of whom
cast light on government policies and societal norms that have led to war
in the Middle East and left the United States vulnerable to soaring
gasoline prices. For instance Haag’s tile mosaic, Increase
Efficiency—which she created expressly for this exhibit—combines a chart
of peak-oil statistics with images of bike riders and electric trains,
suggesting a future that need not be constrained by declining oil
supplies.
Other pieces of interest include drawings by David Macaluso; with their
elegant renderings of commodity prices, which are coated with used motor
oil (www.davidmacaluso.com). In addition, four large-scale paintings by
Morgan Craig depict wasteland scenes from shuttered coal plants
(www.lawrenceasher.com/Craig.htm). A panoramic photograph of the Alaskan
oil pipeline by Franklynn Peterson—a favorite artist from this Fall’s
Overload exhibit—brings into focus this often-discussed infrastructure
that few have actually laid eyes upon. And Craig Fisher’s intensely
detailed print of a colossus monster made of cars combines the excitement
of comic book illustration with the bite of political cartoons.
The exhibit opens with a reception on Saturday, January 31st from 7:00 -
9:00 p.m. Several exhibiting artists will be in attendance. A spate of
affiliated events have been planned to supplement the exhibits' thematic
concerns, which are listed at the top of this release. (Subsequent press
releases will provide more details.)
The generosity of local donors REM, Bertis & Katherine Downs, the Mayor’s
Community Improvement Program Fund, Power Partners and the Habitat for
Humanity REStore is making this exhibit possible. A donation from REM will
allow ATHICA to replace its current lighting with efficient
compact-florescent track-lighting bulbs, thereby reducing the carbon
footprint of the gallery.
Athica - Athens Institute of Contemporary Art
160 Tracy Street - Athens
Gallery hours are: Thursdays: 6:00 - 9:00 p.m., Fridays, Saturdays &
Sundays: 1:00 - 6:00 p.m. and by appointment.