Framing Modernism
dal 28/4/2009 al 20/6/2009
Segnalato da
28/4/2009
Framing Modernism
Estorick Collection of Modern Italian Art, London
Architecture and Photography in Italy 1926-1965. Modernist architects' greater and more inventive use of materials such as steel, concrete, glass and chromium afforded the photographer increased possibilities for dramatic expression. This exhibition complements recent case studies on the Czech Republic and Hungary as well as other, to paint a clearer picture of the often shifting but symbiotic relationship between the two disciplines.
Ever since its inception, photography has profoundly influenced the practice and study of architecture. This was especially true with the advent of Modernism which, during the 1920s, brought architecture and photography into closer alliance than ever before. Modernism’s celebration of the man-made rather than the natural world not only gave new prominence to contemporary architectural and engineering feats but also greatly enhanced their status as subjects suitable for photography. The so-called ‘New Vision’ engendered a more dynamic mode of photography that encouraged the use of unconventional viewpoints, sudden changes in scale, dramatic tonal contrasts, radical cropping and a predilection for geometrical abstraction. In addition, Modernist architects’ greater and more inventive use of materials such as steel, concrete, glass and chromium afforded the photographer increased possibilities for dramatic expression. As a result, architectural photography was revitalised and played a key role in the dissemination of Modernist architecture.
Despite recent studies, the history of architectural photography remains in its infancy; in particular, little work has been undertaken on the photography of Italian Modernism. This exhibition complements recent case studies on the Czech Republic and Hungary as well as other, more general surveys, to paint a clearer picture of the often shifting but symbiotic relationship between the two disciplines.
The selection of over 100 period photographs has been drawn almost entirely from the RIBA British Architectural Library Photographs Collection. It has been curated by Robert Elwall – one of the leading writers and experts on the interrelationship between photography and architecture – and Valeria Carullo, Assistant Curator in the Photographs Collection of the British Architectural Library.
Image: Stadio Comunale Giovanni Berta, Florence (1932) Engineer: Pier Luigi Nervi, Photographer: Gino Barsotti. All images from RIBA British Architectural Library Photographs Collection
Estorick Collection of Modern Italian Art
39a Canonbury Square London N1 2AN
Opening times
Wednesday to Saturday 11.00 – 18.00
Sunday 12.00 – 17.00
Closed Mondays and Tuesdays
Admission
£5.00, Concessions £3.50