Open Source Embroidery
dal 5/6/2009 al 5/9/2009
Segnalato da
Access Space
Suzanne Brook Martin
Ele Carpenter
Iain Clark
Eclectic Tech Carnival
Emma Ferguson
Flare Productions
Paul Grimmer
Richard Hamilton
Suzanne Hardy
HUMlab Workers
James Hutchinson
Charlene Lam
Kristina Lindstrom
Asa Stahl
Sampler Collective
Sophie McDonald
Davide Della Casa
Travis Meinolf
Kate Pemberton
Trevor Pitt
Michele Pred
Clare Ruddock
Hamilton
Southern & St Amand
Becky Stern
Haishu Zhang
Katarina Pierre
5/6/2009
Open Source Embroidery
BildMuseet, Umea
Artworks that use embroidery and code as a tool for participatory production and distribution
Access Space, Suzanne Brook Martin, Ele Carpenter, Iain Clark, Eclectic Tech Carnival, Emma Ferguson, Flare Productions, Paul Grimmer, Richard Hamilton, Suzanne Hardy, HUMlab Workers, James Hutchinson, Charlene Lam, Kristina Lindström & Åsa Stahl, Sampler Collective, Sophie McDonald & Davide Della Casa, Travis Meinolf, Kate Pemberton, Trevor Pitt, Michele Pred, Clare Ruddock, Hamilton, Southern & St Amand, Becky Stern, Haishu Zhang.
The Open Source Embroidery project includes workshops and exhibitions which investigate how the open source software development model has been incorporated into the language of cultural participation. This major exhibition at BildMuseet brings together individual and collectively made artworks by artists, makers, computer programmers and html users that explore the relationship between craft and code through social and digital networks. The works experiment with interdisciplinary approaches to modifying patterns, the DIY culture of hacking and sampling in sound, GPS and mobile technologies.
The history of computing as craft began with the Jacquard loom (1801), the first programmed machine which used binary punch cards to design woven patterns. The loom inspired Charles Babbage in his design of the Analytical Engine, often described as the precursor to the modern computer. Flare Productions' documentary film about Ada Byron Lovelace To Dream Tomorrow (2003) highlights the significance of her extensive notes about the Analytical Engine, and her insight into the potential of the machine to operate not just as a calculator of numbers but also as a computer of symbols and information. Richard Hamilton also featured Ada Lovelace in a poster campaign to save free public entry for the South Kensington Museums in London (1998). Issues of access to code and culture are still pertinent questions of our time.
Using open source software Hamilton, Southern & St Amand are facilitating a new production of Running Stitch creating a map of Umeå. Visitors to the exhibition are invited to take a GPS walk around the city and sew their paths onto a giant canvas in the gallery. The activity will take place June 6 and 7 and every Sunday until September 6.
Open Source Embroidery is curated by Ele Carpenter, HUMlab Research Fellow in partnership with BildMuseet. The exhibition has been developed by BildMuseet and the Museum of Craft and Folk Art, San Francisco, and supported by Arts Council England and Canada Council.
Museum of Craft & Folk Art, San Francisco: 1 October 2009 – 24 January 2010
Image: Becky Stern, LilyPad Arduino Embroidery: A Tribute to Leah Buechley, 2008
Information:
Ele Carpenter, Curator, 090-786 7407,
elecarpenter@humlab.umu.se
Katarina Pierre, Curator; 090-786 96 32, 090-786 52 27, katarina.pierre@bildmuseet.umu.se
Opening Saturday June 6th, 1.30 pm, with a Sampler Culture-Clash performance.
Bildmuseet
Umeå University
SE-901 87 Umeå Sweden
Opening Times:
Winter: 24 Aug – 16 June, Tues – Sun 12 – 4pm
Summer: 17 June – 23 August, Wed – Sun 12 – 5pm
(All Sundays open til 12 - 5pm)