Alisa Andrasek
Biothing
John Bock
Monica Bonvicini
Hernan Diaz Alonso
Xefirotarch
Ksenia Ender
Dan Flavin
Rodney Graham
Florian Hecker
Nikolaus Hirsch
Michel Muller
Greg Lynn Form
David Maljkovic
Laszlo Moholy-Nagy
Olaf Nicolai
Neri Oxman
Materialecology
Manfred Pernice
Matthew Ritchie
Aranda
Lasch
Arup AGU
R&Sie(n)
Francois Roche
Stephanie Lavaux
Bojan Sarcevic
Fred Sandback
Francesca Woodman
Cerith Wyn Evans
Daniela Zyman
Johannes Porsch
Transitory Objects is based on a seemingly simple concept: to present architectural objects together with works of art, many drawn from the collection of Thyssen- ornemisza Art Contemporary. Showing architectural objects alongside artworks or using techniques of presentation and mise-en-scene similar to those used for works of art is an established approach today, yet Transitory Objects also looks at some of the more complex issues raised by this phenomenon. Works by John Bock, Monica Bonvicini, Hernan Diaz Alonso / Xefirotarch, Ksenia Ender, Dan Flavin, Rodney Graham, Florian Hecker...
curated by Daniela Zyman and Johannes Porsch
Alisa Andrasek / BIOTHING, John Bock, Monica Bonvicini, Hernan Diaz
Alonso / Xefirotarch, Ksenia Ender, Dan Flavin, Rodney Graham,
Florian Hecker, Nikolaus Hirsch & Michel Müller in Collaboration with
the Cybermohalla Ensemble, Greg Lynn FORM, David Maljković, László
Moholy-Nagy, Olaf Nicolai, Neri Oxman / MATERIALECOLOGY, Manfred
Pernice, Matthew Ritchie with Aranda\Lasch and Arup AGU, R&Sie(n) /
François Roche and Stéphanie Lavaux, Bojan Šarčević, Fred
Sandback, Francesca Woodman, Cerith Wyn Evans.
Transitory Objects is based on a seemingly simple concept: to present
architectural objects together with works of art, many drawn from the
collection of Thyssen-Bornemisza Art Contemporary. Showing
architectural objects alongside artworks or using techniques of
presentation and mise-en-scène similar to those used for works of art
is an established approach today, yet Transitory Objects also looks
at some of the more complex issues raised by this phenomenon.
In past years Thyssen-Bornemisza Art Contemporary has acquired
architectural objects as part of its collection of contemporary art,
but more importantly, it has also produced and supported full-scale
architectural projects within the experimental parameters and
settings of art-related productions. In the context of projects such
as The Morning Line, by Matthew Ritchie and Aranda\Lasch; Your black
horizon Art Pavilion, by David Adjaye and Olafur Eliasson; or R&Sie
(n)’s concept for thegardenofearthlydelights, “architecture” has
shifted from its proper place of production and reception, as well as
from its status as heteronomous object. This conceptual shift not
only represents an effect specific to the art context but also
retraces the processes and production logics of a contemporary
“visual industry” that penetrates and interweaves all aspects of
cultural production. Within this medial setting, architectural
objects have become figures of display and exchange value, as well as
protagonists in the scenario of aesthetic experience. Having assumed
a market-oriented and institutional status, they circulate within the
economy of art-world discourse and its complicity with the logic of
the market.
Transitory Objects thus attempts to question the notion of the
aesthetic in terms of an understanding of its conditions of autonomy
and heteronomy, to look at the shift in the context and status of the
architectural object as a reflection, analysis, and negotiation of a
given cultural and sociopolitical state of affairs, which has to be
considered as a premise of production within the “field of the
aesthetic.” Faced with the interweaving of institutional and market-
oriented logics in contemporary exhibitions, it examines how
economies of symbolic value creation result from the layering of art
and knowledge markets. Transitory Objects attempts to focus on the
“experimental setting” of shifting disciplinary grounds and
boundaries, its possibilities of critique, and its instrumental effects.
The exhibition is accompanied by a catalogue published by Verlag der
Buchhandlung Walther König, with contributions by Sabeth Buchmann,
Manuel De Landa, Helmut Draxler, Sebastian Egenhofer, Denis Hollier,
Rosalind Krauss, Mark Wigley, et al. (224 pages, 56 ill., €19,80)
Press Thyssen-Bornemisza Art Contemporary / Christina Werner
w.hoch.zwei. Kulturelles Projektmanagement
Breite Gasse 17/4, 1070 Vienna
T +43 1 524 96 46 22
F +43 1 524 96 32
werner@kunstnet.at
Press and artists' presentation Thursday, July 2, 2009, 5.30 pm
with François Roche, Olaf Nicolai, Nikolaus Hirsch, Michel Müller,
Cerith Wyn Evans, Florian Hecker, Francesca von Habsburg, Johannes
Porsch (co-curator of the exhibition) and Daniela Zyman (chief
curator T-B A21)
Opening: Thursday, July 2, 2009, 7 pm
Thyssen-Bornmisza Art Contemporary
Himmelpfortgasse 13, 1010 Vien
Opening hours: Tuesday to Sunday, 12.00 pm to 6.00 pm
August: Wednesday to Saturday, 12.00 pm to 6.00 pm
free admission