Nonagenarian Louis Kahan
Octogenarian David Dallwitz
Rick Amor
Davida Allen
Karen Casey
Judy Cassab
Peter Clarke
Aleks Danko
John Davis
John Firth-Smith
Deborah Halpern
Robert Jacks
Inge King
Colin Lanceley
Jan Senbergs
Wendy Stavrianos
Jenny Watson
John Wolseley
David Thomas
A Major Exhibition by 300 Leading Artists.
A major touring exhibition
in which 300 leading
Australian Artists salute
and honour the diversity
of our land and culture.
The exhibition is a
showcase of
contemporary Australia and Australian Art.
This exhibition ...is not only an important and
timely expression of our harmony in diversity,
but is also a colourful expression of what we are
today Rt Hon Sir Zelman Cowen Governor
General of the Commonwealth of Australia,
1977-1982.
We Are Australian visits Sydney May 15 to June
3, 2000 at the Volvo Gallery, cnr York and
Barrack Street.The Exhibition then moves to the
Adelaide Festival Centre http://www.afct.org.au/arts/index.html
where it will be hosted
from August 17 to October 2, 2000.
The exhibition is featured online at
http://www.visualartforum.com as a series of monthly
exhibitions on specific themes on Contemporary
Australia.
Writing about Australia in the Sixties, Donald
Horne called his book The Lucky Country. How
right he was . People from all over the world, with
our original inhabitants, the Aboriginal and
Torres Strait Islander peoples have gathered
here to creat a culture so full of ethnic variety and
richness that it is without parallel. Together, we
are uniquely Australian. Yet, within this mixture of
languages, beliefs, styles, creations, and
customs, each retains its own individuality.
The idea for the exhibition came from Geoff La
Gerche, born out of concern over the
divisiveness being sown by a pathetic but
vociferous few. It was time, he reasoned, for
Australian artists to show their hands and state
their opposition to racism, and to affirm their
unity in diversity.
Young and old, emerging and established
artists, all of very diverse backgrounds, were
selected and invited by their fellow artists.
Among the big names and the small there was
to be an equaliser - each work was to be of the
same size, if not format - a panel of thirty by forty
centimetres being given to each participant.
Create what they will - paint on it or draw, cut into
it, around it, or stick onto it - each artist was
working on a level playing field. Moreover, by
keeping each work to the same size, this in itself
became a metaphor for unity in diversity. The
conditions of entry were also direct and
meaningful. Artists had to be Australian citizens
or residents of Australia; and thier entered work
was to celebrate Australias cultural diversity.
The response was enormous, spontaneous and
enthusiastic. It was a humbling and yet
sustaining experience which, within itself,
proclaimed the success of the venture.
Nonagenarian Louis Kahan, born in Vienna in
1905, and Octogenarian David Dallwitz, born in
1914 in Freeling. South Australia, joined with
other artists born in Melbourne and Sydney two
decades ago. A short roll call of some of the
major artists includes Rick Amor, Davida Allen,
Karen Casey, Judy Cassab, Peter Clarke, Aleks
Danko, and John Davis, through John
Firth-Smith, Deborah Halpern, Robert Jacks,
Inge King, and Colin Lanceley, to Jan Senbergs,
Wendy Stavrianos, Jenny Watson and John
Wolseley.
Painter and international fashion designer, Pru
Acton, pointedly titled her landscape, The land
shapes us, the land colours our imagination,
the land marks our experience. By contrast,
Italian born Wilma Tabacco painted a
curvaceous yet strikingly blunt word wog across
her board. Its joint meaning is its message; a
statement of fact. As a child, she was taunted
with the word. Now she reclaims the word as a
more sensitive statement, for nowadays it is not
derogatory, when used within a community; only
when used outside. Tabacco saw the exhibition
as being as good moment for alerting the public
to the issue.
David Thomas - Curator
Volvo Gallery
Sydney,
AU Australia