The exhibition centres on an oil painting of pivotal standing, The Twelve-Year-Old Jesus in the Temple, 1879. One of most important works by Max Liebermann (1847-1935), it is being highlighted to mark the 75th anniversary of the artist's death. This work from the collection of the Hamburger Kunsthalle still raises numerous questions concerning its origins and history and in terms of the scandal and Liebermann's own position in the context of the religious debates and social changes in the late 19th century.
Exhibition curator: Dr Ute Haug; academic advisor: Henrike Mund
The exhibition The Jesus Scandal at the Hamburger Kunsthalle centres on an oil painting of pivotal
standing, The Twelve-Year-Old Jesus in the Temple, 1879. One of most important works by Max
Liebermann (1847–1935), it is being highlighted to mark the 75th anniversary of the artist’s death.
When the artist showed the painting for the first time in 1879 at the Munich International Art Exhibition
it sparked a scandal. Contemporary critics took offence that the Jewish painter should dare to address
the Christian theme of the "twelve-year-old Jesus in the temple", especially as he depicted the Saviour
as a "Jewish urchin" off the streets. Liebermann was admonished for having strayed too far from the
traditional portrayal of the young Christ as a divine youth and of his intellectual superiority over the
Jewish scholars. Yet the anti-Semitically tinged accusations failed, on the one hand, to acknowledge
that Liebermann led his life as an assimilated Jew. On the other, they misjudged his artistic intention of
seeking to render the scene in the most realistic way possible. The outrage this painting excited upset
Liebermann so much that in the following years he overpainted the figure of Jesus.
The Twelve-Year-Old Jesus in the Temple is one of the few religious paintings by Liebermann, as well as
one of his earliest. Today it has lost none of its relevance and fascination, and with a subject that strikes
at the roots of both religions, Judaism and Christianity, remains highly controversial. This work from the
collection of the Hamburger Kunsthalle still raises numerous questions concerning its origins and
history and in terms of the scandal and Liebermann’s own position in the context of the religious
debates and social changes in the late nineteenth century.
Alongside Liebermann’s paintings, sketches and studies, the exhibition will also show works by other
artists on the same iconographic theme – a woodcut by Albrecht Dürer, various etchings by Rembrandt
Harmensz van Rijn, but also renderings of this subject by Liebermann’s contemporaries, such as the oil
painting by Heinrich Hofmann or the pastel drawing by Adolph Menzel. Liebermann is known to have
modelled his painting on several of these depictions and made close studies of them. The exhibition will
comprise altogether 25 works of art, among them nine loans (incl. the Stiftung Preussischer
Kulturbesitz, Berlin; the Museum Kunst Palast, Düsseldorf; the Stiftung Saarländischer
Kulturbesitz/Saarland-Museum; Kunsthaus Zürich; Thomas LeClaire Kunsthandel, Hamburg).
In addition, documentary exhibits will shed fresh light on the history of the work and the scandal. The
Hamburger Kunsthalle purchased the painting in 1911, then sold it for political reasons in 1941, and
finally re-purchased in 1989 with the support of the Campe’sche Historische Kunststiftung and the
Kulturstiftung der Länder.
The exhibition, which until March 2010 was previously shown at the Liebermann Villa in Berlin, albeit in
a somewhat different constellation, is documented in a catalogue published by the Max-Liebermann-
Veranstaltungs GmbH.
Kindly supported by the
Kunst- und Literaturstiftung Petra und K.-H. Zillmer
Image: Max Liebermann (1847-1935), The Twelve-Year-Old Jesus in the Temple, 1879, Oil on canvas, 149.5 x 130.8 cm © Hamburger Kunsthalle / bpk Photo: Elke Walford
Press contact:
Mira Forte T + 49 (0)40 428131204 F + 49 (0)40 428542978 presse@hamburger-kunsthalle.de
Press conference: Wednesday, 14 April 2010, 11 a.m.
Opening: Sunday, 18 April 2010, 12 midday
Hamburger Kunsthalle - The Hall of Master Drawings
Glockengießerwall D-20095 Hamburg
Opening hours: Tuesdays to Sundays 10 a.m. to 6 p.m.
Thursdays 10 a.m. to 9 p.m., Mondays closed
Admission Adults € 10, Concessions € 5