Ignasi Aballi'
arT errOriste
Nina Beier
Marie Lund
Manon de Boer
Monica Bonvicini
Decosterd & Rahm
Dector & Dupuy
Edith Dekyndt
Susanna Fritscher
Dora Garcia
Thierry Hesse
Ann Veronica Janssens
Jiri Kovanda
Isabelle Krieg
Corey McCorkle
Liliana Motta
Tania Mouraud
Nik Thoenen
Maia Gusberti
Mario Garcia Torres
Karin Sander
Ian Wilson
A complex relationships between the body, works of art, and the museum space
Artists (collection / Production Frac Lorraine)
Ignasi Aballí, arT errOriste, Nina Beier & Marie Lund, Manon de Boer, Monica Bonvicini, Décosterd & Rahm, Dector & Dupuy, Edith Dekyndt, Susanna Fritscher, Dora García, Thierry Hesse, Ann Veronica Janssens, Jirí Kovanda, Isabelle Krieg, Corey McCorkle, Liliana Motta, Tania Mouraud, Nik Thoenen et Maia Gusberti, Mario Garcia Torres, Karin Sander, Ian Wilson
In the shadow of a doubt, and in its vicinity, we find selected pieces
from a collection that ordinarily resists the discrete charms of display.
These recently acquired works are the reason why the institution has
ceased to function as a place of consecration in order to transform
into a space of experimentation, a ground open to all kinds of critical
maneuvers and operations.
The works belonging to the FRAC Lorraine collection assume the form
of deambulation across imaginary spheres which divide the world into
material and immaterial, into reality and its fictional representation.
Following a skillfully orchestrated scenario, the visit underscores
complex relationships between the body, works of art, and the museum
space (the play of attraction, fear, and seduction), and dissolves the
ambiguous boundaries between discourse and its beliefs. By detecting
psychological mechanisms of reception and assimilation tied to the
intensity of real and imagined bodily sensations (Décosterd & Rahm,
M. Bonvicini or A.V. Janssens), these works provoke auto-performative
experiences in the visitor who has become an actor in this ephemeral
story.
Alongside those intense experiences, the works of K. Sander, E. Dekyndt,
and C. McCorkle, with their subtle visibility, mark out an autonomous,
infinite territory, a sort of cartography of desire, in Deleuzian sense
of the word. Then come strictly oral interventions (I. Wilson, Beier &
Lund, Dector & Dupuy) which raise the historical question of transmis-
sion of knowledge and its validity in visual and performance arts.
Finally, the return of the repressed, of the concealed, constitutes
another pivotal point of reflection, tied to the notion of intimacy
endangered by our society (M. de Boer). Several artists (D. García,
arT errOriste, T. Mouraud) come to question the connection between
seeing (video surveillance) and power, and the implications of this
omnipresent gaze. Voyeuristic gaze and the exhibitionist temptation,
along with an incitation to perversion, are close at hand.
The Fonds régional d'art contemporain de
Lorraine, a member of Platform network,
enjoys financial backing from the Lorraine
Regional Council and the Lorraine Region
Cultural Affairs Department (DRAC) at the
Ministry of Culture and Communication.
Designed as a sort of manifesto of the impossibility to materialize a
thought in an object, In the shadow of a doubt treats the exhibition as
a protocol for experiences, making it possible to encounter works of
art in action and in “re-action”. The life-force of the works has been
restored.
Image: Edith Dekyndt, One second of silence, 2008, (Part 02, New York). Frac Lorraine Collection
Press Agency > Heymann, Renoult Associees / Tel.: 0033 (0)1 44617676 / Fax: 0033 (0)1 44617440 info@heymann-renoult.com
Opening: Friday, 7 May, 7 pm
Extended hours: Monday 10 May & Tuesday 11 May, 12 – 9 pm
FRAC IN LIVE > Performance / Death is certain at 7 pm and 8.45 pm
Eva Meyer-Keller, design / Irina Mü̈ller, performance
49 Nord 6 Est – Frac Lorraine, Metz
1bis rue des Trinitaires F-57000 Metz France
Admission free.
Open Wednesday to Sunday from 12-7pm
Group visits in english on request Tel.: 00 33(0)3 87 74 55 00