Marisa Merz
dal 6/10/2010 al 19/11/2010
Segnalato da
6/10/2010
Marisa Merz
Gladstone Gallery 21st Street, New York
An exhibition of early work. Born in 1931 in Turin Merz was a central figure and the only woman associated with the Arte Povera movement. Known for her unusual use of materials such as copper-wire, clay, and wax, her sculptures and drawings reflect the poetic sensibility that delicately entwines her vision of art and life. This show features two works both composed of layered metal sheeting, cut and manipulated to assemble curvilinear bodies of glinting silver surfaces.
Gladstone Gallery is pleased to announce an exhibition of early work by Marisa Merz. Born in 1931 in Turin, Italy, Merz was a central figure and the only woman associated with the Arte Povera movement of the late 1960s and '70s. Known for her unusual use of materials such as copper-wire, clay, and wax, Merz’s sculptures and drawings reflect the poetic sensibility that delicately entwines her vision of art and life.
Executed in 1966, Untitled (Living Sculpture) consists of a group of sculptural works that acutely demonstrate Merz's attitudes toward form and materiality. This exhibition will feature two works in Merz’s series that brilliantly testify to the lasting relevance of her artistic vision. Both works are composed of layered metal sheeting, cut and manipulated to assemble curvilinear bodies of glinting silver surfaces. Merz’s ethereal reconstruction of a chair which plays with figures of domesticity and femininity, makes ordinary objects appear strange and uncanny, as if conjuring a mysterious apparition of itself. Extending from the ceiling to the floor Merz’s dangling morphological configuration echoes the sinuous, floating forms of underwater life, a resemblance that beautifully underlines her attention to organic shapes, symbolizing the continuum of growth, transformation, and progress that is at the core of her thinking. Though the contours of the installation embody organic forms, her use of industrial metal sheets illustrates the frequent employment of synthetic materials to simulate natural shapes that is characteristic of the broader Arte Povera movement. Not only are these themes of evolution aesthetically formalized throughout Untitled (Living Sculpture), but they are also deeply connected to Merz's commitment to social change and the radical role art can play in society and culture at large, a belief that has been summed up in her famous remarks: "There has never been any separation between my art and my life." Holding true to this conviction, Merz's work continues to offer a refreshing and richly evocative glimpse into the creative cosmos of one of the most fascinating artists of the 20th century.
Marisa Merz has been the subject of numerous solo museum exhibitions including: Museo d'Arte Contemporanea Donnaregina, Naples, Italy; Stedelijk Museum, Amsterdam; Kunstmuseum Winterthur, Switzerland; and the Centre Georges Pompidou, Paris, among other international venues. Selected group exhibitions include: CCS Bard/Hessel Museum of Art, Annandale-on-Hudson, New York; Tate Modern, London; and the Hirschhorn Museum, Washington D.C. In 2001 Merz received the Biennale di Venezia Award for lifetime achievement. Merz’s work is featured in “Che Fare?” at the Kunstmuseum Liechtenstein through September 5th. Merz currently has a solo exhibition on view at the Centre Internationale d’art et du Paysage, Ile de Vassivière, France through September 26th.
Image: Untitled (head), 2006, Graphite on paper; 19 3/4 x 13 3/4 inches
For further information please contact Sascha Crasnow scrasnow@gladstonegallery.com
Gladstone Gallery
530 West 21st Street, New York
Gallery hours: Tuesday through Saturday, 10am - 6pm