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Serbia - Frequently Asked Questions

Austrian Cultural Forum, New York

Works by 18 contemporary artists

comunicato stampa

Curators: Branislav Dimitrijević & Andreas Stadler

Artists: Phil Collins, Biljana Djurdjevic, Uroš Djuric, Vlatka Horvat, Johanna Kandl, Kunsthistorisches Mausoleum, Paul Albert Leitner, Marko Lulic, Ahmet Ögut, Marko Peljhan, Dan Perjovschi, Darinka Pop-Mitic, Anri Sala, Walter Steinacher, Zoran Todorovic, Raša Todosijevic, Milica Tomic, Stefanos Tsivopoulos, Katarina Zdjelar.

The Austrian Cultural Forum New York and the Museum of Contemporary Art Belgrade are pleased to present this exhibition of works by 18 contemporary artists from Serbia, former Yugoslavia and Austria. The artists reflect on two decades of drama in the Balkans with a special focus on Serbia.

Speaking out on traumatic events the artists in Serbia – Frequently Asked Questions share a critical stance toward processes of economic and political transition and refute preconceived notions about a decades-old conflict fueled by irreconcilable stereotypes on all sides. The artists expose the culturalization of the Yugoslav conflict: marked neither by sentimentalism nor cynicism, the show presents the sensitivity of the individual artists—some of whom were directly involved but maintained a critical distance—as a powerful guide to a tumultuous and painful chapter in recent European history.

Raša Todosijević responds to the nationalist rhetoric in post-80s Serbian culture and politics in his mixed media series, Gott liebt die Serben (God Loves the Serbs). Drawings by Dan Perjovschi serve as specific political comments on the construction of stereotypes and paranoia in the Balkans and in Europe. The paradoxical issue of "national representation" is reflected in Warmth by Zoran Todorović. The work consists of curious looking blankets with undetermined function made of three tons of human hair collected at hairdressers and military barracks where hair-cutting is a norm of discipline. Phil Collins's work, filmed recently in Kosovo, asks a group of participants to elaborate in Serbian the reasons that they no longer speak the language. Stefanos Tsivopoulos's two-screen presentation juxtaposes the original testimony of a Serbian soldier involved in atrocities of the Bosnian war with an actor repeating the same story. It is up to viewers to decide which character is real. Milica Tomić's video follows the artist, carrying a Kalashnikov rifle as she walks the streets of Belgrade paying homage to the principal locations of the armed rebellion against Nazi occupation in WWII. In his video Naturalmystic, Anri Sala documents a man who uses his vocal cords to imitate the sound of a Tomahawk missile, a common background noise during the NATO bombing campaign over Serbia in 1999.

Marko Peljhan presents a compact version of his installation, Territory, which is based on a long-term research project about the circumstances of the Srebrenica massacre. The exhibition also features a painting by Biljana Djurdjević that comments on the relationship of power and violence in the patriarchal social order. Intrigued by the emotional and cultural power that still remains from Tito's heritage in former Yugoslavia, Slovenia-based Austrian artist Walter Steinacher's painting addresses the general process of selective, post-conflict remembrance. Conversely, a work on paper by Johanna Kandl examines the causes and consequences of capitalist transformation.

Some of the works deal with more general and universal processes, causing or paralleling violent conflict. Ahmet Öğüt looks at paranoiac, instrumental, and randomly indifferent aspects of surveillance in the context of power struggles. As a foreign artist based in the Netherlands, Katarina Zdjelar situates her own experience of dislocation by investigating systems of communication and learning rather than focusing on the loss perpetuated by this distance. Like Zdjelar, Vlatka Horvat also deals with the aspects of dislocation. In her video This Here and That There, the reorganization of the chairs in a shallow pond is a sad and poetic metaphor for grappling with the loss of geographic roots and social communities. Photographer Paul Albert Leitner takes the perspective of a travelling journeyman and reveals the hardship and dignity of normal street life in the peripheries beyond metropolitan centers. A panoptical but "low-fi" montage of snapshots by Uroš Djurić is a condensed overview of the artist's social links within and beyond the art world.

Serbia – Frequently Asked Questions also presents two newly commissioned works: a film by Marko Lulić and a mural by Darinka Pop-Mitić. Also on view will be a selection of artifacts from the collection of Kunsthistorisches Mausoleum from Belgrade.

Exhibition Coordination Natascha Boojar & Vesna Milić (MOCA Belgrade)
Exhibition Assistance Anne Marie Butler, Sophie Fitschek, Esther Mlenek, Eva Stockinger, Philipp Virag

The exhibition will be accompanied by a week-long film series at the Czech Center, starting October 13, 2010. The Romanian Cultural Institute will host a staged reading of “The Locusts” by Serbian writer Biljiana Srbljanovic in the presence of the author on October 12, 2010 at the City University of New York Martin E Segal Graduate Center, and the Harriman Institute of Columbia University will host an academic conference entitled “Constructing the Balkans, De-Constructing Ourselves” on November 5, 2010. Finally, a roundtable discussion will take place at the Open Society Institute on January 10, 2011.

Serbia – Frequently Asked Questions is an official EUNIC project (European Union National Institutes for Culture), and enjoys generous support from the Fund for an Open Society–Serbia; Open Society Institute; Ministry of Culture of Serbia; General Consulate of Serbia; Delegation of the European Union to the United Nations; Czech Center New York; Harriman Institute at Columbia University; Romanian Cultural Institute; New York Public Library for the Performing Arts and WaxFactory.

Supporting Institutions of the Austrian Cultural Forum New York: Austrian Airlines, Botstiber Foundation, RZB Finance, The Austrian Wines

VENUE: Meeting Point: Central Plaza of Coenties Slip Park at Pearl Street, Between Broad Street and Hanover Square


Media Contact: Kerstin Schuetz-Mueller,, +1 212 319 5300 ext 203

Opening: September 22, 6-8 PM

Austrian Cultural Forum
11 East 52nd Street New York, NY 10022
gallery hours: daily 10am to 6pm

Display of the Centuries
dal 30/3/2015 al 26/7/2015

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