The Anselm Kiefer's exhibition includes a diverse body of work, offering a selection that spans four decades and ranges from early paintings to monumental installations. The starting point for Kiefer's work is his fascination with myth, history, theology, philosophy and literature. 'Dirk Bell. Made in Germany' explores the enduring tussle between love and freedom, along with the universal structures that shape and control societies. Bell's delicate, romantic drawings and paintings are infused with myth and legend.
ANSELM KIEFER
ARTIST ROOMS On Tour with the Art Fund
BALTIC Centre for Contemporary Art proudly announces a major exhibition of the
work of Anselm Kiefer, one of the foremost figures of European post-war painting. The
exhibition includes a diverse body of work, offering a selection that spans four decades
and ranges from early paintings to monumental installations. Presented over two floors
of BALTIC’s galleries, the exhibition is Kiefer’s largest in the UK for many years and has
been made possible by ARTIST ROOMS on Tour with the Art Fund.
Following the success of 2009, 21 museums and galleries across the UK in 2010 will be
showing 25 ARTIST ROOMS exhibitions and displays from the collection created by the
curator and collector, Anthony d’Offay, and acquired by the nation in February 2008.
ARTIST ROOMS on Tour with the Art Fund has been devised to enable this collection
held by Tate and the National Galleries of Scotland, to reach and inspire new
audiences across the country, particularly young people.
Anselm Kiefer at BALTIC includes painting, sculpture and installation, some of which
has been rarely seen before. The starting point for Kiefer’s work is his fascination with
myth, history, theology, philosophy and literature. For many years his painting was a
vehicle to come to terms with his country’s past, and subsequently became ever
concerned with religious traditions and the symbolism of different cultures. Kiefer’s
weighty subject matters are reflected in the monumental scale of many of his works,
while his keen exploration and visceral layering of materials such as lead, ash, rope and
human hair bring an emotional potency.
Among the paintings to be included in the exhibition are three works from the artist’s
early Parsifal series (1973), drawn from Richard Wagner’s last opera and its 13th
century source, a romance by Wolfram von Eschenbach based upon the legend of the
Holy Grail. With Palette 1981, Kiefer revealed the problematic legacy inherited by artists
in post-war Germany: the artist’s palette hangs from a single burning thread evoking
shame, loss and the apparent impossibility of artistic creation. The expansive Man
under a Pyramid 1996, which measures more than five meters long, continues the
artist’s interest in meditation and the linking of body and mind.
Also included is Palmsonntag 2006 which comprises a vast sequence of 36 paintings
arranged around a full-size palm tree. While avoiding explicit religious statement, the
work draws upon the Christian narrative of Palm Sunday to explore death and
resurrection, decay, re-creation and rejuvenation; human themes that are central to
Kiefer’s practice and that will be identified throughout this presentation.
ANSELM KIEFER BIOGRAPHY
Anselm Kiefer was born 1945 in Donauschingen, Germany, at the close of World War II.
He studied art formally under Joseph Beuys at the Düsseldorf Academy in the early
1970s where history and myth became central themes in his work.
In 1971 Kiefer produced his first large-scale landscape paintings and from 1973 he
began to experiment with wooden interiors on a monumental scale. His preoccupation
with recent German history is seen throughout his work and his use of recurring motifs,
such as an artist’s palette symbolises his emotional journey relating to this period. Kiefer
has made increasing use of materials such as sand, straw, wood, dirt and photographs,
as well as sewn materials and lead model soldiers. By adding found materials to the
painted surface Kiefer invented a compelling third space between painting and sculpture.
Recent work has broadened his range yet further: in 2006 he showed a series of
paintings based around the little-known work of the modernist Russian poet Velimir
Chlebnikov (1885-1922).
Kiefer has had extensive exhibitions internationally including the Museum of Modern Art,
New York (1987), Neue Nationalgalerie, Berlin (1991), The Metropolitan Museum, New
York (1998), Royal Academy, London (2001), Fort Worth Museum of Art, Fort Worth
(2005) and the San Francisco Museum of Modern Art (2006).
Anselm Kiefer currently lives and works in Provence, France.
The Art Fund
The Art Fund is a membership charity that helps museums and galleries buy works of art
for all to enjoy through awarding grants, campaigning and fundraising. Recent highlights
include the £3.3 million campaign to save the Staffordshire Hoard, a fundraising initiative
that was kick-started with a £300,000 Art Fund grant. The Fund is financed by the
generosity of its 80,000 members and supporters who have a passion for art and the
institutions that house great collections. For more information contact the Press Office
on 020 7225 4888 or visit http://www.artfund.org.
BALTIC is a major international centre for contemporary art situated on the south bank
of the River Tyne in Gateshead, England. BALTIC presents a constantly changing,
distinctive and ambitious programme of exhibitions and events, and is a world leader in
the presentation, commissioning and communication of contemporary visual art. BALTIC
has welcomed over 3.5 million visitors, since opening to the public in July 2002.
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DIRK BELL. MADE IN GERMANY
BALTIC Centre for Contemporary Art presents Made in Germany, a new exhibition
by one of Germany’s leading young artists Dirk Bell. Opening on Friday 8 October, the
exhibition incorporates new commissions and works not yet seen in the UK including
sculpture, animation, large-scale installation and the ephemeral, romantic drawings for
which he is best known.
The exhibition explores the enduring tussle between love and freedom, along with the
universal structures that shape and control societies. Bell’s delicate, romantic drawings
and paintings are infused with myth and legend. Sensual, lyrical and almost
hallucinogenic, his work is laced with references and associations that question our
attempts to make sense of the world, our belief systems and the structures that control
our societies.
The exhibition includes the major installation Revelation Night Sun 2010 comprised of
64 fluorescent tubes that produce a pulsating, inescapable light that dominates the
larger of two exhibition spaces. The work generates signals, patterns of light or
meditations that reveal a variety of symbols and in doing so radiates a dense network of
meanings and associations. In the light of the ‘sun’, our attention is drawn to the
immensity of the universe, the overwhelming power of nature and of the sublime. In the
darkness, we are reminded of what makes us human.
During the weeks of the exhibition Bell’s own car will make a physical, metaphorical and
spiritual journey from Gateshead to London, Glasgow and beyond. When in the gallery,
the car will become an instrument that can be played by operating its guidance system,
or ‘Sat-Nav’. The game inside the car is a journey where the player must make sense of
the world and create balance in order to survive. As in all of the works in the exhibition, it
encourages us to question our beliefs, our moral psychology and to reflect on a search
for balance.
DIRK BELL BIOGRAPHY
Dirk Bell was born in Munich in 1969 and lives and works in Berlin.
Recent solo exhibtions include 'PANIKEARTH', BQ, Berlin, 2009 ; '7 x 14', Staatliche
Kunsthalle, Baden-Baden; 'Li’ve is Li’ve', Schinkel Pavillon, Berlin, 2010. Forthcoming
solo exhibitions include The Modern Institute/Toby Webster Ltd, Glasgow , 2010 and
'Lost', Kunstverein Arnsberg 2011.
BALTIC is a major international centre for contemporary art situated on the south bank
of the River Tyne in Gateshead, England. BALTIC presents a constantly changing,
distinctive and ambitious programme of exhibitions and events, and is a world leader in
the presentation, commissioning and communication of contemporary visual art. BALTIC
has welcomed over 3.5 million visitors, since opening to the public in July 2002.
For further information on the exhibition, please contact:
Ann Cooper, Media Officer T: 0191 440 4915 E: annc@balticmill.com
Image: Anselm Kiefer
Opening 8 October 2010
BALTIC Centre for Contemporary Art
Gateshead Quays, South Shore Road, Gateshead
Opening hours: Monday - Sunday 10.00 - 18.00, except Tuesdays 10.30 – 18.00
Admission: FREE