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31/3/2011

Mario Prencipe

Shen Chang Gallery, Hagzhou

The artist faces the subject of the cultural code seen as the assimilator of whole man's activities that weaken the subject individuality and the primary relations of face to face. According to the artist the concept of communication assumed a simulative form and difference between subject and object become questionable. Consequently the man as well as intelligent machines work always more and more with shapes or significant instead of substance or signification, against the essential principle of freedom that presuppose the subjectivity of expression.

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