Matthew Day Jackson
Larry Bamburg
Sarah E. Wood
Erin Shirreff
Jonathan Marshall
Gretchen Bennett
Andrew Guenther
Adam Helms
Kris Kollmer
Heel Gezellig. The objects and works presented at the Eerste Jacob van Campenstraat deal with notions of mortality, or the material of being. The exhibition on the Keizersgracht is inspired by Andrew Guenther's first New York solo show in which he invited guest stars to exhibit work within his own exhibition. The works were point, and counterpoint to his own, thus creating a sort of devotional element. The artist has invited Larry Bamburg, Sarah E. Wood, Erin Shirreff, Jonathan Marshall, Gretchen Bennett, Andrew Guenther, Adam Helms and Kris Kollmer.
GRIMM is pleased to announce the second exhibition by Matthew Day Jackson in Amsterdam.
A double bill, the exhibition(s) will feature new work in all media over both spaces. At the
Eerste Jacob van Campenstraat Matthew Day Jackson will present ‘Heel Gezellig’. This part of
the exhibition thematically will lie at the intersection of the interior and exterior of
our natural environment. Like a Bird’s nest, or a Bear’s den, our homes are an expression of
our ability to fashion what is “outside”, reordered to become “inside”. The objects and works
presented deal with notions of mortality, or the material of being. Many of the works refer
directly to the artist’s body, and through photography and sculpture the human form is re-
imaged and re-formed. On view will be a large Study Collection work, paintings and various
sculptures. The gallery itself has been transformed into a living room environment.
The exhibition on the Keizersgracht is inspired by Andrew Guenther's first New York solo
show in which he invited guest stars to exhibit work within his own exhibition. The works
were point, and counterpoint to his own, thus creating a sort of devotional element. This idea
is mirrored in Jackson's "Heel Gezellig" exhibition at the Keizersgracht. The artist has invited
Larry Bamburg, Sarah E. Wood, Erin Shirreff, Jonathan Marshall, Gretchen Bennett, Andrew
Guenther, Adam Helms and Kris Kollmer.
At the center of the exhibition a new "In search of.." video work will be presented: "In search
of.. Zombie’s". The 30-minute video functions as the show’s narrative thread and is based
upon the late 1970s television series "In Search of.." hosted by Leonard Nimoy. Matthew Day
Jackson's series consists of three videos and the "In search of..Zombies" video is the final work
in the series:
The first video looks at how man conceives life as viewed from outer space and examines the
literal and metaphoric aspects of artistic journeys and investigates the rise and fall of
civilizations and how the past is communicated through objects. Within this narrative, this first
episode tracks the artist’s mysterious (and fictional) disappearance.
The second video, ’In Search of...Ghosts’, discusses the formalisms of haunting, fear and how
the specter of history makes itself known in the present. The film is a continuation from the
first episode, which tackled the subject of anthropomorphism as the primary lens that we use
to understand nearly everything around us. ‘In Search of...Ghosts’ was shot on the site of the
Apple II House, a model home used for the early nuclear tests in Nevada.
The new ‘In search of.. Zombie’s” video deals with an investigation into a culture of fear,
defined by the boundaries of the familiar. The body and its internal workings have become
suspect, perhaps even dangerous, when reason is replaced by desire. We no longer need, we
simply want. In suppressing the unfamiliar and the mystery of our being, we kill the very
essence of what it is to be human. We kill our dreams, and kill our ability to understand
ourselves, by dismembering our capacity to empathize with another... with the other. This
becomes a sort of death—a lived death in which we lumber, erect... fervid but
vacant... numb. The origin of the idea behind 'zombies' is mirrored in the very real fear of
nuclear disaster that loomed over society during the cold war.
All three videos have an
underlying theme that is an investigation into the rise of the nuclear and technological era and
the resulting change to our society as a whole.
Matthew Day Jackson (1974) was born in Panorama City, CA and currently lives and works in
Brooklyn, NY.
For more information, please contact Eva Coster at info@grimmgallery.com.
Grimm
Keizersgracht 82 - Amsterdam
Eerste Jacob Van Campenstraat 23-25 - Amsterdam
open: Wednesday - Saturday, 12.00 am. – 6.00 pm.