The show is a documentation of the artists' learning process. It displays their refection, discoveries, implementation and strategies towards art making. With Justin Lee CK, Ranae Lee, Loh Sau Kuen and Tay Bee Aye.
A group exhibition by Justin Lee CK, Ranae Lee, Loh Sau Kuen and Tay Bee Aye
Summary
The show is a documentation of the artists’ learning process. It displays
their refection, discoveries, implementation and strategies towards art
making. It is a mixed-media of ceramics, fabric, food and parchment
presented through installation pieces within the space. The theme
challenges our perception towards social issues and community values. It
also portrays a second investigation “How many steps away are the
materials applied after it was transform from its raw state from the earth”.
Introduction
Written by: Margaret Tan Ai Hua
Associate Fellow, Tembusu College, National University of Singapore
"I make, remake and unmake my concepts along a moving horizon, from an
always decentered centre, from an always displaced periphery which
repeats and differenciates them" (Gilles Deleuze Difference and Repetition
xxi).
Replay – to play back, to repeat – seems to suggest repetition of the
same over and over again. But repetition, as French philosophers have
taught us, is inseparable from difference since individuals remain bound to
the varying forces that constitute them.[i] Repetition hence also implies
contingencies, unique series of things or events. Replay embodies this
complex relationship between repetition and difference. Based on the
themes of re-looking, re-thinking and re-loading, this exhibition marks a
reunion of sorts of former classmates who graduated twelve years ago from
the School of Fine Arts, Lasalle College of the Arts. Since then, all of us
have remained committed to the arts, one way or another, under varying
circumstances and in our different capacities.
Replay encapsulates the differing responses of four artists to the same
living environment, that is, Singapore. Conversely, it captures their identical
interest in the processes of art making with diverging outcomes. In the spirit
of repetition and difference, the current exhibition should be understood as
being as much about the works as it is about the creators of the works, in
connection with their past and what they have to say about the future – of
art, society, and the relationship between art and society. REPLAY provides
an inspirational moment for those interested in the arts. This re-grouping of
former art students, twelve years on, suggests that it is not simply
productivity (how much art one can produce) that counts, but one’s
commitment to self-reflexivity, to the re-invention of the roles of art and
artist that will continue to keep art unique and alive in our society.
Artists
Justin Lee was a graphic designer before joining Lasalle College of the
Arts. He is now an established full-time artist known for his representation
of Singapore society and lifestyle using a unique blend of eastern and
western cultural icons. His current works reflect on the relationship between
texts and our notions of self, specifically, how mass media, consumer
products, and art shape our thoughts and expressions.
Ranae Lee now holds a degree in Fine Arts and a diploma in Disability
Studies. She conducts weekly art workshops for children and youths with
special needs at one of Singapore’s Voluntary Welfare Organisations. Her
early works investigated the notion of “home and heart” through prints of
internal architectural spaces with repetitive lines, grids and negative space.
For this exhibition, drawing on her Peranakan heritage, Ranae extends the
same notion through food, recipes, and the processes of preparing and
cooking several dishes.
Loh Sau Kuen holds a degree in Fine Arts. She has been teaching art to
youths and adults with intellectual disability and special needs in a not-for-
profit charitable organisation for more than a decade. Her early works were
influenced by constructivism in art and she used abstracts to convey the
concept of transit and change. Inspired by constructivist teaching strategies,
which emphasise effective learning through active engagement in the
learning process, Sau Kuen presents here works she made with her
students that focus on notions of progress and variation.
Tay Bee Aye is a full-time artist known for her signature soft sculptures and
site-specific installations using fabric. Her current works extend her earlier
explorations of two-dimensional hanging pieces that allow audiences to
interact with and become part of the artworks. For this show, Bee Aye
extends this methodology to comment on the competitive culture in
Singapore.
Margaret Tan was a former classmate of the exhibiting artists. Although
unable to participate in the current show, she is deeply honoured to be
asked to write this Introduction. She is also a researcher with the Science,
Technology, and Society Research Cluster at the Asia Research Institute,
National University of Singapore.
[i] I am referring specifically to Gilles Deleuze and Jacques Derrida.
Message
Written by: Tan Boon Hui
Director, Singapore Art Museum
Contrary to romantic notions of the heroic artist blazing new horizons for the
plebeian masses, being an artist is in the main the most unheroic profession one
could undertake. Most work alone, both physically and emotionally, for all genuine
artistic creation is a solitary pursuit. In Singapore, more than ever, to choose to be
an artist is to choose a vocation, a calling rather than a job. It pays terribly most of
the time, the money is unpredictable and usually one is misunderstood easily. That
the four artists in this REPLAY exhibition, Justin Lee, Ranae Lee, Loh Sau Kuen
and Tay Bee Aye are still making art twelve years after graduation from art school
is a testament to the power of their artistic calling and their individual beliefs in the
vocation they have chosen.
Compared to our Southeast Asian neighbours whose artists are constantly
steeped in the rich crafts and artisanship traditions of their societies, contemporary
artists in Singapore have had to start almost tabula rasa, on a blank slate. This has
not been tragic but rather liberating, for among regional artists, it is our local artists
that have had possibly one of the most adventurous engagements with the
possibilities of making art that is fully contemporary, without the shackles of the
past. Much more critical thought needs to be given to looking at Singapore artists
in this light. The four artists in this exhibition thus fully explore the possibilities of
materials and mediums found in contemporary society without baggage or
inhibition. Let us congratulate them in the spirit of the contemporary and all its
possibilities for change and growth.
More informations:
Mr Benedict Tan, Gallery Manager DID: +65 6833 9314 email: benedict@alliancefrancaise.org.sg
Private Banking Gallery, Alliance Française de Singapour
1 Sarkies Road, Level 2, Singapore
Hours: mon to Fri, 11am to 7pm. Sat, 11am to 5pm. Sun and PH Closed
Admission is free