Beautifully executed and enigmatic, Edgar Martins' photographs explore the philosophy behind the constructed image. Using the 'heteronym' Mia Salvato allows the creation of two distinct bodies of work which are at once conflicting, and complimentary.
New Work
Beautifully executed and enigmatic, Edgar Martins' photographs explore the
philosophy behind the constructed image. Using the 'heteronym' Mia Salvato
allows the creation of two distinct bodies of work which are at once
conflicting, and complimentary.
Born in Portugal, Martins was brought up in Macau. He completed his Masters
at the Royal College of Art, receiving the Thames & Hudson/RCA 2002 Book Art
Prize for his photography work 'Black Holes and Other Inconsistencies'.
The subjects of Martins' portrait essay are two brothers, second-generation
gypsies, who work as sandblasters in Bedford, England. Using a large format
camera, and chiaroscuro lighting, these images contrast the grittiness of
his sitters' occupations with the neat femininity of the interior of their
Edwardian caravan home.
Mia Salvato, the alter ego, uses high-resolution micro-photographic
equipment to create abstract images of a contrived reality, which look like
cosmic phenomena. Like the portraits this sequence of photographs moves from
density and darkness to sparseness and light.
Private view: 6-8pm, Wednesday 5 February 2003
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Next exhibition:
19 March-3 May 2003
Open Tues-Fri 11-6, Sat 11-2
artandphotographs
13 Mason's Yard
London SW1Y 6BU
t: 020 7321 0495
f: 020 7321 0496