Eija Liisa Ahtila
Niels Bonde
Elina Brotherus
Jens Fange
Nils Erik Gjerdevik
Maria Hedlund
Matts Leiderstam
Ann Lislegaard
Annee' Olofsson
Kirstine Roepstorff
Tyra Von Zweigbergk
The artists whose work will be presented in Nostalgic Real hail not only from a common geographical area, Scandinavia, but inhabit as well a common arena of feeling and interest with their work. The photography, sculpture, painting, video and installation in this exhibition move between elusive narrative and stark reality.
Eija Liisa Ahtila (FIN)
Niels Bonde (DK)
Elina Brotherus (FIN)
Jens Fänge (S)
Nils Erik Gjerdevik (DK/N)
Maria Hedlund (S)
Matts Leiderstam (S)
Ann Lislegaard (DK/N)
Anneè Olofsson (S)
Kirstine Roepstorff (DK)
Tyra Von Zweigbergk (S)
The artists whose work will be presented in Nostalgic Real hail not only
from a common geographical area, Scandinavia, but inhabit as well a common
arena of feeling and interest with their work. The photography, sculpture,
painting, video and installation in this exhibition move between elusive
narrative and stark reality.
These artists, like storytellers, present and reinterpret for an audience.
It is the feelings and the imagination of this audience that carry out the
completion of the narrative where the telling has left off. In Nostalgic
Real these narratives draw not only from classical tales, but also from
contemporary reality and the many elements that make up our daily existence,
from pop culture to art history to the mundane details of our quotidian
routine. We could call this a modern mythology, although the common element
here is not necessarily a need to explain the precepts of life but rather to
communicate the feelings that surround everyday existence. And, as with
classical mythology, there is a space left for the imagination of the viewer
to fill in, a lack of straightforward structure that makes the narrative all
the more engaging.
All the artists in Nostalgic Real bring us into a new path of viewing, but
they employ highly varied themes and devices in leading us there. Eija
Liisa Ahtila's films and photographs tell stories which explore the
difficulties of human relations and communication. Niels Bonde leaves us to
examine issues of social control mechanisms by mapping his daily routine
into an abstract diagrammatic scheme of events. In the work of Elina
Brotherus, we as listeners and viewers are given a form of moving poetry, an
honest documentation of the universal challenges of life, based on her own
personal experiences. The paintings of Jens Fänge share elements from 19th
century storytales as well as from more recent pop culture, but these
elements are combined with unrecognizable or confounding playmates that defy
the formulation of any clear reading. Nils Erik Gjerdevik provides an
initial impression of narrative in his paintings and ceramic sculpture, but
here it is by manner of abstraction rather than by unexpected and
unfulfilled juxtapositions that we find our imaginations filling in the
details. In the photography of Maria Hedlund, the entrapments of human
daily life, worn armchairs and dusty lamps, for instance, are isolated and
removed from their familiar context and leave us wondering into whose
personal spaces we are spying. Through photography, copying, or
re-installation, Matts Leiderstam re-presents pre-modern portrait or
landscape paintings in a manner which encourages the viewer to concentrate
on their own personal role in the interpretation of art by showing them his
own homosexual male gaze in looking at the same works. The multi-media
installations of Ann Lislegaard present us with characters and settings, but
leave us without all the pieces we need to make sense of them, leaving us
feeling slightly excluded and enormously curious. In Anneè Olofsson's
photographs, figures are dressed to melt into their domestic surroundings.
Identities are lost in interiors, and we begin and end our viewing in
search. Kirstine Roepstorff reconstructs architectural space with a simple
strand of yarn, altering our preconceived understanding of structure and
leaving us, more literally here, to fill in the spaces ourselves. Lastly,
the drawings of Tyra von Zweigbergk introduce us to characters which derive
from her childhood in the countryside, and leave much of the story to occur
outside of the frame of the pictures, in memory and imagination.
With generous support from:
The Royal Norwegian Embassy, The Swedish Embassy, and the Royal Danish
Embassy
opening: February 15th, 2003 from 6 - 8 PM
exhibition: February 16th - March 29th, Tue - Sat 12 - 7 PM
Upcoming exhibitions at mullerdechiara:
April 5 Â May 17
a solo exhibition by Luca Pancrazzi
May 24 Â July 12
a solo exhibition by Ellen Harvey
mullerdechiara
Weydingerstraße 10
10178 Berlin
phone +49-30-390320-40
fax +49-30-390320-44