Clash of Couture in Albertusstrasse. Klink, offers us an almost ironic insight into the magic of brands, Hassink's photographs portray places where consumerism, merchandising and brand name fetishism have literally reached new levels.
Ground floor: a riot. First floor: a fitting room. That‘s the contrast you should have in mind when envisaging
the encounter of two photo artists in Cologne‘s Kaune Sudendorf Gallery. In the exhibition, conceived by Immo
Klink und Jacqueline Hassink, the two artists present a selection of very special motifs. And even if the subject
matter - namely labels, luxury and brand name fetishism - has similar aspects, it is tackled in two very different
ways.
The former lawyer, Immo Klink, shows us barricaded up brand name stores like Prada and Gucci & Co. which
have braced themselves for indiscriminate display window break-ins, looting and riotous demonstrations by using
plywood panels to board themselves up. Jacqueline Hassink‘s photographs portray places where consumerism,
merchandising and brand name fetishism have literally reached new levels: she shows us the so-called ‚fitting
rooms‘ in the big fashion boutiques, reserved only for the richest of the rich, where you can dress up in clothes
that cost well up into the millions. Unavailable for average Joe on the street to wear.
Jacqueline Hassink is no culprit when it comes to glorifying these topics of fashion, brand names and luxury -
just as Immo Klink doesn‘t want to stir up concerns regarding globalisation or occupy movements. In her work,
Hassink addresses the relationship that luxury products have with their environment. Her famous ‚Car Girls‘ is
one such example. The political activist and photographer, Immo Klink, offers us an almost ironic insight into
the magic of brands, an enchantment which apparently even their potential, invisible aggressors have difficulties
shaking of. Virtually at least, the scene has been set in KS Contemporary - on the first floor, pricey, haute
couture ladieswear is tailored to fit, whilst down below on the ground floor, the fight against globalised luxury
and economic despotism rages.
Immo Klink was born in Germany in 1972 and has been living in London since 1999. There, Klink did a short
stint working in Wolfgang Tilmans‘ studio. His photos were published in numerous arts and weekly magazines.
Regarding his artistic projects, Klink has participated in countless group exhibitions, collaborating with artists
such as Andreas Gursky, Wolfgang Tillmans, Allan Sekula and Massimo Vitali. His solo exhibitions have been
shown, amongst other places, at the Castilla y León Contemporary Art Museum (MUSAC) in Spain, the National
Portrait Gallery in London and the Northern Gallery for Contemporary Art in Sunderland.
The conceptual artist and former sculptress Jacqueline Hassink (born 1966) has her roots in the Netherlands but
now lives in New York. Her work focuses on the economy‘s influence on social life and its resulting rituals; a
topic that‘s formed part of her photographic portfolio since 1993. Her path led her from portraying the desks of
the world‘s most powerful business tycoons to international automobile exhibitions, where she developed poses
and stagings for her so-called ‚Car Girls‘. ‚Fitting Rooms’ was conceptualised in various haute couture fashion
houses between 2003 and 2010. Hassink is a Visiting Professor at Harvard University.
The Vernissage takes place on Friday, December 9th at 7p
Kaune, Sudendorf Gallery
Albertusstrasse 26 - Köln
Opening hours: Tue - Sat 13:00 - 18:00
(and by appointment)