Chateau des ducs de Wurtemberg
Phenomena of Resonance. Featuring a mix of sculptures, installations, videos and photographs, the show allows visitors the chance to discover curious, often mechanical devices that play on the unfamiliar and the magical.
The Museum of château des ducs de Wurtemberg is pleased to host the
Israeli artist Ariel Schlesinger's first solo exhibition in France.
Featuring a mix of sculptures, installations, videos and photographs, the
show allows visitors the chance to discover curious, often mechanical
devices that play on the unfamiliar and the magical. An industrial valley
long known as a crucible for inventors,Monteliard is surely the
ideal place to display work by this playful tinkerer-artist. Developing
his exhibition in three phases within an architectural space that has been
reworked for the occasion, Schlesinger has brought together some ten
emblematic works that first attracted attention to him in Europe, along
with a number of new pieces created just for this show. Humorously,
seemingly offhandedly, the artist fosters a poetic take on the objects
making up our daily world, often shifting them from their usual function.
At the same time, the installations, photographs and videos share a point
in common, the idea of movement, of sculptures in the very process of
being formed, of a perpetual starting over. Associating the instantaneous
with the everyday objects that are all around us, and playing extensively
with the randomness of things in order to devise peculiar situations,
Schlesinger always surprises us and does so with practically nothing. Here
two sheets of paper seem to sensuously clasp, then pull apart, while just
over there another sheet gently rises before slowly lying back down.
Nearby a thick ream displays numerous A4 sheets at rest, calmly yellowing
on a pedestal. Further on still, a thin plume of smoke continuously curls
up from a table and a few pencils. An odd magic animates these fragile,
perishable objects that banally share our studious surroundings.
As in
real life, gentle mechanisms exist beside crazy machines. Thus a furious
installation is busy exploding soap bubbles. Visitors may be reminded, and
rightly so, of the useless, light-hearted and altogether nutty machines
that once graced the galleries of the Monteliard Center for Art
and Jest in the 1990s. At the Museum of Château des ducs de Wurtemberg,
the exhibition space exists as a mirror image of an animated, articulated
space that is bursting with life, the reflection of a reality in which
time appears to be suspended, and all poetic and absurd phenomena placed
in a loop, a way for us to wake at last. *The region of
Monteliard witnessed the development of the bicycle two centuries
ago and later that of the automobile thanks to Armand Peugeot; the
research carried out by tienne Oehmichen that led to the
helicopter; the blossoming of the watch and clock industry with the Japy
family; and indirectly the discovery of catastrophe theory, with the birth
of RenThom, the famous French mathematician who formulated it.
The exhibition was supported by the cultural departments of the Embassy of
Israel in France
Chateau des ducs de Wurtemberg
Cour du Chateau - Montbeliard
Daily 10 - 12 am / 2 - 6 pm