Pacing like a tiger presents an entirely new body of work. Semo's sculptures combine brutality with beauty, describing a psychological landscape that is both dangerous and intoxicating.
GALERIE GABRIEL ROLT is delighted to announce the first exhibition in the
Netherlands by the young American artist Davina Semo. ‘PACING LIKE A TIGER’ presents
an entirely new body of work. Semo’s sculptures combine brutality with beauty,
describing a psychological landscape that is both dangerous and intoxicating.
Semo has attracted considerable attention for the physicality of her works. Using
such materials as one-way mirrors, chains, safety glass, reinforced concrete and
spray paint, her works reference a post-industrial world that is disquieting yet
incontrovertible. Her sculptures offer, as the critic Bob Nickas has pointed out, ‘a
distanced and implied violence’, whilst also being ‘capable of pure poetic gesture.’
For all the impersonal nature of their materials, Semo’s works address the human
condition. Her titles — fragments from a heterogeneous pool of literature and
conversation — imbue the sculptures with enigmatic narrative, speaking in a variety
of idioms, yet always with a capitalised detachment. Their different voices prevent
their messages — WELL I TALK ONE WAY, BUT I’M REALLY, UNDERNEATH, THE SAME KIND OF
MANIAC THAT YOU ARE (2011); or LONG STRETCHES OF INTOLERABLE BOREDOM PUNCTUATED BY
SMALL CRISES OF DISGUST (2011) for instance — from seeming to reflect Semo’s own
state of mind, instead implying a pandemic hysteria from which she is distanced
enough to transform into humour. They recall the titles of Roy Lichtenstein and have
Pop Art’s ability to talk directly to people, yet they are applied not to comic-like
images but to aggressively abstract forms, thus radically differing in tenor.
Recurring motifs crisscross Semo’s works. An ‘X’ emblazons and diagonally divides
large square sculptures, morphing into the diamonds of grated fencing and chains
whose steel loops convey, according to the artist, ‘a filthy strength.’ The diamond
patterns refer back to earlier works by Semo in which the shape appeared centrally
in figurative compositions, suggesting a void that offers escape from one world into
another; a hole whose mysticism has a strongly sexual dimension. Simultaneously
conveying both crudeness with transcendence, combining physicality with verbal
communication, Semo’s works ultimately reveal the limits of personal connection: ‘I
keep coming back to thinking about how strange it is to be alive,’ she explains,
‘and how in this time of total connection there is so little attention paid to the
fundamental or metaphysical reality in which we exist, which is that there is no way
for you to read my mind, and no way for me to read yours.’
Davina Semo was born in Washington D.C. in 1981 and studied Visual Arts at Brown
University followed by an MFA at University of California, San Diego. Her solo
exhibitions include ‘WE BEGIN WITH THE NOISE’, Martos Gallery, New York and ‘BEFORE
SHIFTING TO THE BLACKNESS’, Rawson Projects, Brooklyn, New York (both 2011). Recent
group exhibitions include “The 2011 Bridgehampton Biennial’, Martos Gallery,
Bridgehampton; ‘We Regret To Inform You There Is Currently No Space Or Place For
Abstract Painting’, Martos Gallery, New York; and ‘Borderline’, Pablo’s Birthday
Gallery (all 2011). She lives and works in Brooklyn, New York.
Image: Davina Semo, WE COME BACK TO BE INSULTED / Distressed mirror, enamel paint / 91.4 x 91.4 cm, 36 x 36 in / 2012
Opening Reception: Saturday 25 February 2012, 17.00 — 20.00 hrs
Galerie Gabriel Rolt
Elandsgracht 34 - Amsterdam
Gallery Hours: Wednesday — Saturday or by appointment 12.00 — 18.00 hrs
Free admission