Barbara Kasten's photography and the installation and working processes of the artist collective Magicgruppe Kulturobjekt. The exhibition showcases two artistic positions that revolve around the tension between instability and stability, between the whole and its fragmentation.
The “Realistic Manifesto” by Antoine Pevsner and Naum Gabo was written in 1920. The term Tektonika
refers here to a dynamic, abstract geometrical and ideal formal language. It also refers to a dynamic energy
that moves tectonic plates, reverses the concept of above and below and disrupts datum points.
The exhibition Tektonika picks up these ideas and showcases two artistic positions – Barbara Kasten and
the Magicgruppe Kulturobjekt – that revolve around the tension between instability and stability, between the
whole and its fragmentation. At what point can a form or a space be defined? At what point can one
differentiate a form or a space? At what point can the eye no longer see a space? It is possible to see this
ambivalence between construction and deconstruction that demands a different interpretation of space both
in Barbara Kasten’s photography and the installation and working processes of the artist collective
Magicgruppe Kulturobjekt.
After her first experiments with light and shade which can be seen in her photograms and cyanoypes from
the 1970s, Barbara Kasten (b.1936 lives and works in Chicago) has developed an extended and more
complex dimension of the perception of space in her series Constructs (1979-83), which is being shown at
the Kunstverein. The artist has staged a series of sets for this out of a combination of simple forms and
materials, such as glass, Plexiglas, metal or mirrors, and then photographed them. The resulting spatial
settings comprising geometrical forms, broken light, the texture of the materials, shifts in perspective,
permeability or reflections, allow the viewer’s eye to oscillate between graphic surfaces, geometrical
composition and three-dimensional perspective.
She has also continued to work upon the shifting of viewpoint and the change of perspective in the works
from Architectural Sites (1986-89) directly in public space: with the help of a team, she has broken up, i.e.
deconstructed the architecture in various chosen places through the inclusion of mirrors and the use of
coloured light projections. The space that one thinks one recognises is thus completely dematerialised; the
images move here between image, object and plane.
Similarly, the Magicgruppe Kulturobjekt also opposes an unequivocal stability in their very working method.
Depending upon respective planned project, they work with a different number and combination of artists.
Artists taking participating in the Kunstverein show: Nadja Athanassowa, Michael Dobrindt, Sonja Engelhardt,
Marie Gerlach, Markus Hahn, Stef Heidhues, Marcel Hiller, Roland Kollnitz, Tamara Lorenz and Sebastian
Walther.
The Magicgruppe Kulturobjekt develops its work on site and in a direct reaction to the spaces and the artists
in the group themselves. Therefore the staging does not derive from a prearranged concept, or planable
arrangement and duly expresses itself as a collective construct, the shape of which takes on a spatial
temporary form. Diverse materials are staged in new ways on site. The properties, arrangement and
accumulation of the material are choreographed to a point where distortions and visual interleaving subvert
conditioned assumptions of space. The resulting spatial narrative leads to a sculptural course around the
exhibition in which different visual games and suggested dynamic processes can be discovered.
Both the constructed settings in the work of Barbara Kasten and the experimental deconstructive
installations of Magicgruppe confuse our perception of the shapes and the functions of objects and spaces:
architecture, surfaces and materiality seem to dissolve into one another and transform themselves into a
idiosyncratic, constructive, palpable form.
Talk by Barbara Kasten (in English): Tuesday, 4 July 2012, 5 pm
At The Academy of Fine Arts Nuremberg (Bingstraße 60)
Image: Barbara Kasten, Incidence 4, 2010. Archival pigment print, framed, 142,2 x 116,8 cm
Opening 6th July 2012, 6.30p.m.
Kunstverein Nürnberg
Albrecht Dürer Gesellschaft
Kressengartenstraße 2, D - 90402 Nürnberg
from Wednesday to Sunday, 12 pm to 6 pm and by appointment
Summer break: 1 August to 2 September 2012
Entrance fee: 2,50 € / 1,50 € (reduced) / free for members of the Kunstverein and the ADKV