The Persistence of Vision. Targeting a specific colour palette and dynamic range, the artist's tactic is to initiate visual reception as a felt experience.
The concept of persistence of vision is over 100 years old. The main premise of the theory is that the human
eye retains images for a fraction of a second thus making our reception of the world via the eye a combination
of the present and the past. In film this theory accounts for our ability to perceive 24 frames per second as a
continuous moving image because the persistence of the image in the eye completes the gaps between frames.
Paul Snell’s non-representative, non-figurative images can be understood as extending abstract and minimalist
legacies with an investigation into pure form and colour but as with those artistic ‘isms’ this would establish an
overly reductive reading. So while Snell’s work is purely formal, self-reflexive and anti-illusionistic in its intention
it also seeks a dialogue in the sense of perceiving and using visual levels of perception to create a physical,
mental and sensorial experience.
Snell’s images literally attack the eye. Targeting a specific colour palette and dynamic range - the artist’s tactic
is to initiate visual reception as a felt experience – the result of colour’s effect and its visual persistence on the
eye as a physiological strategy. Snell’s images work in this way – they call for a reflective turn away from the
works as objects – belying our initial response – and towards the act of viewing and its existential implication
on the body-subject: the viewer. - Matthew Perkins, 2012
Paul has exhibited extensively in commercial, public and artist run galleries in Australia. His most previous solo
exhibition ‘Codes and Conventions’ was at Colville Gallery, Hobart earlier this year. He has been a finalist in
many awards such as Flanagan Art Prize, Ballarat and the Mount Eyre Art Prize, Rex-Livingston Art Dealer,
NSW. Paul’s artwork features in several public collections including Artbank. Paul is represented by Colville
Gallery, Hobart.
paulsnell.com
Image: Pulse # 201207, 2012
Opening night Thursday September 6, 6-8pm. To be opened by Matthew Perkins, Studio Coordinator, Photomedia, Monash University
Colour Factory
409-429 Gore Street | Fitzroy, VIC 3065, Australia
Gallery hours: Mon-Fri, 10-6. Sat 1-4