I've looked up to heaven and been down to hell. The exhibition brings together a selection of new works specifically dealing with themes of heaven and hell, a metaphor for Bracey's diverse biographical journey.
Scream is proud to present London-based light artist Chris Bracey’s first UK solo
exhibition. Chris Bracey has worked with neon and lights for over thirty years and
has acquired a vast fan base including commissions from high-profile clients such as
David LaChapelle, Stella McCartney, Martin Creed and Vivienne Westwood.
Bracey
has also provided dramatic installations for films such as Kubrick’s Eyes Wide Shut,
Burton’s Charlie and the Chocolate Factory and the Batman films. Many of his works
are self-produced neons, referencing popular culture and iconic imagery, from the
streets of Soho, tattoo culture, evocative statements and a lexicon of retro texts and
references. Bracey also salvages old lights from fairgrounds, film props and vintage
signs to re-work and re-generate them into contemporary pop sculptures that
luminate and conjure a sense of wonder, nostalgia and glamour.
Bracey’s father was a neon sign-maker, predominantly for fairgrounds and
amusement arcades, and Chris learnt how to manufacture and design the neon signs
at an early age. Inspired by the vibrancy and kitsch character of the Soho area in
London during the 1970s, Bracey was confident that his designs for the signs would
bring a fresh sense of glamour and intrigue to the area.
The work went from strength
to strength with every Soho club owner wanting Bracey’s magic touch to revitalize
their venues. During this time Bracey was approached by art director Chris
Townsend who introduced him to the world of film and this gave Bracey the
autonomy to expand the possibilities of what could be done with neon. Bracey
comments, “Like any work of art, it’s got spirit. Neon is only happy when it’s on,
when it’s alive”.
Having shown extensively in the US and with a focus on commercial projects for the
last few years, this exhibition brings together a selection of new works specifically
dealing with themes of heaven and hell – a metaphor for Bracey’s diverse
biographical journey.
These themes bring together the highlights of Bracey’s
practice and transform the gallery into the realms of heaven, with free-standing Angel
and Jesus sculptures, suspended wings and star constellations; and hell with his
trademark Soho sex, tattoo and rock ‘n’ roll iconography such as “Hot Burning Love”.
Bracey’s entrance into the London art world will be dramatically evident as you
approach the gallery, with a site-specific window installation of a dagger smashing
through the window into a neon heart. Bracey provides an immersive experience for
the viewer where he playfully creates a sense of theatricality and implicitly raises
questions about morality, spirituality and their role in society.
Press Office
Lee
Sharrock
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07814
862
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lee@leesharrock.co.uk
Opening: Thursday 11 Aprile 6-8pm
Scream
27 - 28 Eastcastle Street, London
Hours: Mon-‐Fri
10am-‐6pm;
Sat
11am-‐4pm
Free Admission