The Lesson. The result of a process, involving performance and props, later brought into the exhibition space in the shape of photographs, and objects, restaging the situation of the actual performance.
Bendixen Contemporary is hosting the exhibition “The Lesson”, the gallery’s first
exhibition by the Danish artist, Thorbjørn Bechmann.
“The Lesson” is the result of a process, involving performance and props, later
brought into the exhibition space in the shape of photographs, and objects,
restaging the situation of the actual performance.
Underlying the formalization of Thorbjørn Bechmann’s work is an ironic, playful and
subversive attitude which, through photos, objects and performance art, analyzes the
contradictions of contemporary life constantly defined by social conventions.
Relations between the individual and the relevant context of the subject become the
focal point for this exhibition, by an artist who sees his practice as an
investigatory process.
Thorbjørn Bechmann has, trough his latest exhibitions, worked with certain aspects
of knowledge possession, and its distribution in the context of education. In this
project, his starting point is the play, “La Lecon” by Eugène Ionesco from 1951,
which was later adapted for the ballet by Flemming Flindt. Thorbjørn Bechmann
restages the ballet, with himself as the protagonist and Danish solo dancer, Lis
Jeppesen as the murderous teacher. The outcome is a series of photographs and
objects that plays with both fascination and disturbance.
Taken as a whole, the exhibition questions the role of power and submission in times
of heightened political consciousness. Problematizing the contingencies of a social
contract, it points to an intuitive overarching process. “The Lesson” emphasizes the
exchange between artist, artwork, and audience, namely the moment at which personal
information is offered into the hands of the other, -the public.
Opening reception: Friday, May 17, 5-7 pm
Bendixen Contemporary Art
Palaegade 5-Copenhagen
Tue-Fri 12-17 Sat 12-15
Free admission