Banksy, KAWS, ZEVS, Shepard Fairey - OBEY, Daniel & Geo Fuchs, Audrey Kawasaki, FUTURA o JR. A selection of toys and editions from the collection of Selim Varol. Arising from the graffiti scene in the late 1960s, this type of urban art now implies a much broader panorama involving all forms of street art and encompassing a range of techniques.
The CAC Málaga is presenting the exhibition At Home I’m a Tourist,
comprising a selection of toys and editions from the collection of
Selim Varol, a young collector of Turkish origin who lives in Dusseldorf and who owns one of the largest collections of contemporary
toys and urban art not just in Europe but in the world today,
numbering more than 15,000 objects. Varol’s collection is defined
by the playful, comic and subversive nature of the pieces and by the
close relation it reveals between art and daily life.
Selim Varol began to collect when still a child but it was with his
discovery and acquisition of Japanese designer toys in the 1990s
that his collection began to take shape. His interests have grown
and evolved over time, as a result of which he now collects works of
art by creative figures associated with urban art and street culture.
Arising from the graffiti scene in New York and Philadelphia in the
late 1960s, this type of urban art now implies a much broader
panorama involving all forms of street art and encompassing a
range of techniques (mural stencils, posters, stickers, etc) and
different ideological backgrounds. Following Andy Warhol and
Marcel Duchamp, urban art aims to take artistic creation out of the
museum and bring it closer to the public, either using a more
commercial or a more subversive viewpoint. The repetition of
iconic, commercial images through the methodology of advertising,
which is the defining nature of these works, is closely associated
with the Pop artists whose works have been appropriated by street
artists in order to de-contextualise them, combine them or alter
them to give them a critical sense. Like Jean-Michel Basquiat and
Keith Haring before them, the members of this movement
transform their “vandalistic” creations into works of art.
Many of the works and artists represented in the Selim Varol collection and now on display at the CAC Málaga are well known for their
interventions in public spaces. With his iconic poster of HOPE
Shepard Fairey worked on Barack Obama’s 2008 election campaign.
An artist difficult to classify and one who began his career associated
with skate culture, Shepard Fairey makes use of intentionally
simple, popular or propagandistic images with a political or social
element in order to question the world around him and to draw
attention to issues that concern him such as the abuse of power and
the commercialisation of culture. The French artist JR, who won
the TED (Technology, Entertainment and Design to change the
World) Prize in 2011 became internationally known in 2008 with
his film 28 millimetres: women are heroes, which was made in the
slums of Rio de Janeiro. JR’s projects use large-format photographic
portraits installed in unexpected places and on unusual surfaces
(trains, buildings, bridges, roofs, etc), which encourage reflection
through the faces of these individuals who normally pass unnoticed.
His works combine art and action and focus on themes such as
commitment, freedom, identity and limits, as can be seen in the
mural designed especially for the CAC Málaga. The New York artist
KAWS, whose influence has been crucial for the Varol collection,
moves on the fine line between the art of illustration and advertisements, basing his limited editions of vinyl games on the appropriation of popular characters from cartoons, which he modifies and
manipulates, adding his own unmistakeable identity to them.
The present exhibition at the CAC Málaga conveys the spirit of the
new generations through a selection of more than 1,000 works by a
large number of artists who are key names in urban art and designer
toys, including JR, Banksy, KAWS, Daniel & Geo Fuchs, Shepard
Fairey, Phil Frost, Blek le Rat and D*Face.
Selim Varol’s collection has a dual intent: preserving a childhood
enthusiasm and documenting the culture of his generation
(Hip-Hop, Punk, urban art etc). In the collector’s own words: “My
collection, that’s me – my childhood, my friends, my heroes, my
role models, what I enjoy, what moves me. Pictures from my
journey: ‘At home I’m a tourist’”.
Press contact:
Elena Padrón Comunications and press coordinator
assisted by Almudena Ríos prensa2@cacmalaga.org
CAC Centro de Arte Contemporaneo
C/ Alemania, s/n 29001 Malaga Spain
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