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16/10/2013

Oliver Ressler

AC Institute, New York

The emergence of the movements of the squares and the Occupy movement in 2011 can be seen as a reaction by people who opposed and began to fight the massive increase in social inequality and the dismantling of democracy in times of global financial and economic crisis. The movements of the squares are non-hierarchical and reject representation; direct democracy shapes their activities. The occupation of public places serves as a catalyst to develop demonstrations, general strikes, meetings and working groups on different focal points. Successful site occupancies in one place often inspire occupations in other cities, without a linear relationship.

The film “Take The Square” is based on discussions conducted with activists from 15M in Madrid, the Syntagma Square movement in Athens and Occupy Wall Street in New York. Re-enacting the format of the working groups of the protest movements, four to six activists discuss with each other as a group in front of a camera. The discussions cover issues of organization, horizontal decision-making processes, the importance and function of occupying public spaces and how social change can occur. The films were shot in the spring of 2012 in those places used by the movements of the squares for meetings and working groups: the Plaza de Pontejos, a quiet square in the immediate vicinity of the central Puerta del Sol in Madrid; at Plaza de la Corrala, a meeting place for the neighborhood assemblies of Lavapiès in Madrid; in Syntagma Square, the central assembly and demonstration point in front of the Parliament in Athens; and in Central Park in New York, where Occupy Wall Street held the “Spring Awakening 2012”.

The film brings together activists from three cities central to the movement. “I consider inclusiveness and respect used as a means to build horizontality and recover our power without the need to have somebody representing us very powerful,” says Ayelén from the Collective Thinking Work Group in Madrid. This rejection of representation also generally includes the parliaments; people should be politicized and invited to take their fate into their own hands. Babis Magoulas of the square movement in Athens says: “It’s the political process, the one that creates the man who is concerned with the commons, who participates and doesn’t allow the political to be taken over by the ‘experts’ whether they are syndicates or political parties. That’s why I’m saying it’s big. And direct democracy was not imposed; it was applied as the only way to convene. If it wasn’t horizontal, it would have had no meaning.” For Jen Waller of Occupy Wall Street, this has created, “the first people’s movement in this country that has called out the ruling class as the enemy.”

“Take The Square” is trying to contribute to spreading the organizational knowledge of the movements and translate the processes between these places in transition.

Join us for the following screenings:

The Bull Laid Bear: A film by Zanny Begg and Oliver Ressler (24 min., 2012)
October 3 – October 16
Opening Thursday, October 3, 6-8pm

The Right of Passage: A film by Zanny Begg and Oliver Ressler (19 min, 2013)
October 31 – November 16, 2013.
Opening: Thursday, October 31, 6-8pm

BIO:

Oliver Ressler, born 1970, lives and works as an artist and filmmaker in Vienna, Austria, and produces exhibitions, projects in the public space, and films on issues such as economics, democracy, global warming, forms of resistance and social alternatives. His projects have been in solo exhibitions at the Berkeley Art Museum, USA; Platform Garanti Contemporary Art Center, Istanbul; Museum of Contemporary Art, Belgrade; Kunstraum at the University of Lüneburg; Centro Cultural Conde Duque, Madrid; Alexandria Contemporary Arts Forum, Egypt; Bunkier Sztuki Contemporary Art Gallery, Krakow and The Cube Project Space, Taipei. Ressler has participated in more than 250 group exhibitions, including the MASSMoCA, USA; Itaú Cultural Institute, Sao Paulo; National Museum of Contemporary Art, Athens; Van Abbe Museum, Eindhoven and at the biennials in Prague (2005), Seville (2006), Moscow (2007), Taipei (2008), Lyon (2009), Gyumri (2012), Venice (2013) and Athens (2013). A retrospective of his 15 films took place at Centre d’Art Contemporain Genève throughout 2013. For the Taipei Biennale 2008, Ressler curated an exhibition on the anti-globalization movement, A World Where Many Worlds Fit. A traveling show on the financial crisis, It’s the Political Economy, Stupid, co-curated with Gregory Sholette, was presented at Centre of Contemporary Art, Thessaloniki and will take place at Gallery 400 in Chicago. Their book It’s The Political Economy, Stupid: The Global Financial Crisis in Art and Theory was published by Pluto Press in 2013.

www.ressler.at

Take The Square: (89 min., 2012)
Director and producer: Oliver Ressler
Executive producer: Rudolf Gottsberger | studioROT
Camera: Thomas Parb, Rudolf Gottsberger
Film editor: Oliver Ressler
Sound design, mix and color correction: Rudolf Gottsberger
Participants of the Popular Assembly of Lavapiés in Madrid: Adolfo Estalella, Lucía Gutiérrez, Ernesto García López, Héctor Pojomovsky, Martha Viniegra
Participants of the Collective Thinking Work Group in Madrid: Amador, Álvaro, Ayelén, David, Kiara, Rodrigo
Participants of the discussion group at Syntagma Square in Athens: Christos Giovanopoulos, Leonidas Kaportsis, Stasa Kotara, Babis Magoulas, Spyros Niakas, Reggina Zervou
Participants of the discussion group in Central Park in New York: Nicole Carty, Austin Guest, George Machado, Jen Waller
Participants in the workshop in New York: Nicole Carty, Austin Guest, Zak Solomon, Danny Valdes
Translations for English subtitles: Cora Sueldo, Héctor Pojomovsky, Martha Viniegra, Giannis Papadimitriou, Alexandros Papageorgiou
Translation for German subtitles: Colette Schmidt
Production assistance: Katarzyna Winiecka and Rafael Sánchez Mateos (Madrid), Giannis Papadimitriou (Athens), Maren Richter (New York)
Take The Square was commissioned by REGIONALE12.

Special thanks to Maren Richter (artistic director of REGIONALE12), Vasilis Alexakis, Dario Azzellini, Enrique García Camarero, Raquel Garcia Carrillo, Beka Economopoulos, Marcelo Expósito, Pavlos Hatzopoulos, Elisabeth Lorenzi, Carlos Motta, Alan W. Moore, Marina Sitrin, Aitor Tinoco i Girona, Nato Thompson

Grants: REGIONALE12, CINE ART

AC Institute
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