Colin Cook
Jiri David
Christoph Draeger
Matt Ducklo
Maria Friberg
Rainer Ganhal
Joy Garnett
Leon Grodski
Jon Haddock
John Isaacs
Euan MacDonald
Philippe Meste
Ryan McNamara
Alex Mc Quilkin
David Nicholson
Guy Richards Smit
Alastair Thain
Dana Wyse
Carrie Yamaoka
Jerome Jacobs
The exhibition, curated by the Brussels art dealer Jerome Jacobs, gathers together the subjective visions of 19 artists, mainly living in the US, on the aftermath of 9/11. A tragi-comic selection in a disrupted environment, with a certain humorous optimism, as in Colin Cook's video ''Everything is Beautiful''
Curated by Jerome Jacobs
Colin Cook | Jiri David | Christoph Draeger | Matt Ducklo | Maria Friberg |
Rainer Ganhal | Joy Garnett | Leon Grodski | Jon Haddock | John Isaacs |
Euan MacDonald | Philippe Meste | Ryan McNamara | Alex Mc Quilkin | David
Nicholson | Guy Richards Smit | Alastair Thain | Dana Wyse |Carrie Yamaoka
From 18th November to 13th December 2003, the WITTE ZAAL art center in the
Belgian city of Ghent is presenting ''Without Fear or Reproach''.
The irony of numbers: 9/11, the sum of all fears - 911, dialling for hope
and help as in Christoph DRAEGER's amazing 4-channel video filmed in the
streets of NY.
The exhibition, curated by the Brussels art dealer Jerome JACOBS, gathers
together the subjective visions of 19 artists, mainly living in the US, on
the aftermath of 9/11. A tragi-comic selection in a disrupted environment,
with a certain humorous optimism, as in Colin COOK's video ''Everything is
Beautiful''.
Since September 2001, America has managed to become the focus of worldwide
passion. The nation is hesitantly trying to re-emerge from its ashes.
Thousands of opinions have been given on why ''it'' happened and why America's
retaliation has been so reckless. Politicians, sociologists and
intellectuals from all sides have told their story and still the
inexplicable remains unexplained. Or so it seems.
One of the purposes of this exhibition is to provide another course. Not all
the works in ''Without Fear or Reproach'' are the product of 9/11. Some were
created long before. They have indeed been wilfully taken out of their
original context. Are they visionary?
This is by no means a deliberate critique of the United States in the new
millennium. No gratuitous violence, no cheap mockery. Just the simple
display of a particular perception.
The attack on the Twin Towers gave rise to a frenetic crusade against
so-called ''evil''. War should have meant deliverance, helped by the
dehumanisation at the heart of this lethal game or by the aesthetic bombing
of unseen victims. Terrorism is just bloody horror with no good reason, like
John ISAACS' realistic sculpture of a dismembered booted leg.
More precisely, fear and sorrow gave rise to unbridled anger and blind
hatred and common sense was banished. Ryan McNAMARA's ''Angry Americans'' asks
the much-avoided question: Could this anger be triggered by the absence of
control?
Perhaps the perpetrators achieved their goal after all. The enemies are
crying ( Jiri DAVID's photographic series ''No Compassion'') but haven't they
been wrongly identified?
Obsession creates taboos on such images as the portraits of the nineteen
9/11 terrorists, recreated by painter Joy GARNETT in a cliché of terror.
A country that champions freedom is muzzled by secrecy, conspiracy and
restraint. The irritating whisper persists: was this the consequence or the
opportunity?
Politics are in the line of fire. The legitimacy of leadership is created
and cancelled by a single cut and paste (Maria FRIBERG's video ''No Time to
Fall'', 2001), Congressmen are shown patriotically voting through dubious
policies (Jon HADDOCK's impressive ninety-eight 2-feet high figures
reconstructing US congress voting the Patriot act), and extremism is coated
in sweet phrases (drawings by Rainer GANAHL).
The media are also barracked for their improper display of reality and for
thereby influencing public opinion in a way no different to propaganda.
Misinformation can lead to a total illusion steered by anger and fear.
So, what is really so different about 9/11 ? As Leon GRODSKY expresses in
his video installation ''Great Balls of Fire'', surprise was not one of the
emotions felt that day.
Violence courses through America's veins. Could things be what they seem in
David NICHOLSON's life-size painting of a man with a doberman, who might
appear suspicious, perhaps even threatening, but in Alex McQUILIKIN's video
''Teenage Daydream, it's only Rock 'n Roll'', ''the passionate teenage
assassin'' sings innocently.
The power of art lies primarily in its blatant visibility. It can sometimes
be what it appears. That is what will shock the viewer. It is to be hoped
that, returning from this journey into madness, he may realize that violence
is just one of so many options.
WITTE ZAAL art center
Posteernestraat 9000 Ghent, Belgium
director : Dirk Manesse T: + 32 9 2254290 F: +32 9 2234636
wittezaal@sintlucas.wenk.be http://www.kunst.sintlucas.wenk.be/wittezaal
Preview Monday 17.11.2003 18.00 > 23.00
The WITTE ZAAL is open from Tuesday till Friday: 12.30 - 18.00 and Saturday: 14.00 - 17.00